Poynton. English home of Mrs. Gereth and her son that is the focus of the novel. Mrs. Gereth lived in the house with her husband until his death and intends to remain there until her son marries. The novel describes the house only in bits and pieces, sometimes in contrast with other places, but these descriptions are all aimed at showing how important the house is to the novel’s meanings.
The house and its furnishings appear to be in the very best of taste. For example, the house is wainscoted—an expensive feature, but one that is subdued and not showy. The house has no wallpaper at all, as wallpaper is modern and vaguely commercial. The house gleams with old gold and brass ornamentation and also has “deep, old damasks,” a sofa of velvet brocade, a great Italian cabinet, and Louis Seize (sixteenth) French furniture and Oriental china. Especially important is the house’s Maltese cross. Although it is relatively small, it becomes almost a symbol of the house. In short, the house is fitted out with the best of the best ages. Equally important, it has neither a billiard room nor a conservatory, as at Waterbath, which are both fads of the moment.
The actual architecture of the house is not given, but it would seem to be an attractive place, whose design sets off its furnishings well. Still, in a hint at the thematic matter of how destructive good taste can be, Fleda Vetch thinks that Poynton, with all its treasures, inhibits artistic creativity.
(The entire section is 622 words.)