Form and Content

(Literary Essentials: Nonfiction Masterpieces)

Vladimir Nabokov was one of the many aristocrats and intellectuals who emigrated from Russia as the Bolsheviks rose to power during the revolution of 1917. Nabokov’s family moved, first, some fifty miles north from their estate to St. Petersburg, then to the vicinity of Yalta in the southern Crimea, and finally in 1919, by way of Greece, to London. Nabokov’s parents, along with his two sisters (Olga and Elena) and youngest brother (Kirill), left London to take up residence in Berlin, where on March 28, 1922, his father was shot to death by right-wing Russians. Nabokov and his younger brother Sergei, who was to die of starvation in a Nazi concentration camp in 1945, matriculated at the University of Cambridge. Nabokov, upon graduating from Cambridge, went to live in Berlin in 1923 and there, two years later, was married to Vera Evseevna Slonim, who would bear his only child, Dmitri, in 1934. After Adolf Hitler had established his dictatorship and had begun his persecution of German Jews, Nabokov and his wife, who was Jewish, moved to Paris. This was in 1937. A year earlier “Mademoiselle O,” written in French and the first part of what would become Speak, Memory, had been published in Paris.

Nabokov, his wife, and their son embarked at Saint-Nazaire, France, for the United States on May 28, 1940. This is the event with which Speak, Memory ends, although the final form of the work, published in 1966, includes references to many events occurring between 1940 and 1966. In the United States Nabokov saw his first publication of an English-language novel, The Real Life of Sebastian Knight (1941), taught Russian grammar and literature at Wellesley College from 1941 to 1948, concurrently holding a research fellowship with the Museum of Comparative Zoology at Harvard University, during which time he became an American citizen (in 1945) and taught Russian and European literature at Cornell University from 1948 to 1959. After the great critical and commercial success of his novel Lolita (1955), Nabokov maintained financial independence through his writing. Retaining his much-prized American citizenship, he moved with his wife to Montreux,...

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Historical Context

(Nonfiction Classics for Students)

Nabokov composed and published early versions of most of the chapters in Speak, Memory as selfcontained essays in various magazines...

(The entire section is 537 words.)

Literary Style

(Nonfiction Classics for Students)

Individual figures play important roles in Speak, Memory but not necessarily commensurate to the number of...

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Compare and Contrast

(Nonfiction Classics for Students)

1960s: After avoiding a third world war against each other precipitated by the Cuban Missile Crisis, the Soviet Union and United...

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Topics for Further Study

(Nonfiction Classics for Students)

Nabokov dismisses psychiatry and the theories of Sigmund Freud with disdain. Research Freud’s theory about memory and see if it is relevant...

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Media Adaptations

(Nonfiction Classics for Students)

An unabridged 1987 audio version of Speak, Memory, read by John MacDonald, is available from Books on Tape, Inc., in seven cassettes....

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What Do I Read Next?

(Nonfiction Classics for Students)

Martin Amis’s Experience: A Memoir (2000) is full of Nabokovian literary allusions and personal anecdotes. The son of writer...

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Bibliography and Further Reading

(Nonfiction Classics for Students)

Boyd, Brian, Vladimir Nabokov: The Russian Years, Princeton University Press, 1990, pp. 60, 79–80, 97.


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(Literary Essentials: Nonfiction Masterpieces)

Appel, Alfred, Jr. Nabokov’s Dark Cinema, 1974.

Field, Andrew. VN: The Life and Art of Vladimir Nabokov, 1986.

Lee, L.L. Vladimir Nabokov, 1976.

Quennell, Peter, ed. Vladimir Nabokov: A Tribute, 1979.

Shloss, Carol. “Speak, Memory: The Aristocracy of Art,” in Nabokov’s Fifth Arc: Nabokov and Others on His Life’s Work, 1982. Edited by J.E. Rivers and Charles Nicol.

Stegner, Page. Escape into Aesthetics: The Art of Vladimir Nabokov, 1966.

Stuart, Dabney. “Speak, Memory: Autobiography as Fiction,” in Nabokov: The Dimensions of Parody, 1978.