Fabré, Michel. “James Baldwin in Paris: Love and Self-Discovery.” In From Harlem to Paris: Black American Writers in France, 1840-1980. Chicago: University of Illinois Press, 1991.
Hardy, Clarence E. James Baldwin’s God: Sex, Hope, and Crisis in Black Holiness Culture. Knoxville: University of Tennessee Press, 2003.
Kinnamon, Keneth, comp. James Baldwin: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall, 1974.
Leeming, David. James Baldwin: A Biography. New York: Alfred A. Knopf, 1994.
Miller, D. Quentin, ed. Re-viewing James Baldwin: Things Not Seen. Philadelphia: Temple University Press, 2000.
O’Daniel, Therman B., ed. James Baldwin: A Critical Evaluation. Washington, D.C.: Howard University Press, 1981.
Porter, Horace A. Stealing the Fire: The Art and Protest of James Baldwin. Middletown, Conn.: Wesleyan University Press, 1989.
Standley, Fred L., and Nancy V. Burt, eds. Critical Essays on James Baldwin. Boston: G. K. Hall, 1988.
Sylvander, Carolyn Wedin. James Baldwin. New York: Frederick Ungar, 1980.
Tomlinson, Robert. “’Payin’ One’s Dues’: Expatriation as Personal Experience and Paradigm in the Works of James Baldwin.” African American Review 33 (Spring, 1999): 135-148.
Troupe, Quincy, ed. James Baldwin: The Legacy. New York: Simon & Schuster, 1989.
Weatherby, W. J. James Baldwin: Artist on Fire. New York: Donald I. Fine, 1989.
Bibliography and Further Reading
Bigsby, C.W.E, Introduction to The Black American Writer, Vol. 1, Everett/Edwards, Inc., 1969.
Howe, Irving, "Black Boys and Native Sons," in Dissent, Autumn, 1963.
Macebuh, Stanley, James Baldwin: A Critical Study, Third Press, 1973.
Pratt, Louis H., Twayne's U.S. Authors Series: James Baldwin, G.K. Hall & Co., 1978.
Reilly, John M., '"Sonny's Blues': James Baldwin's Image of Black Community," in James Baldwin: A Collection of Critical Essays, edited by Keith Kinnamon, Prentice-Hall, 1974.
Albert, Richard N., "The Jazz-Blues Motif in Baldwin's 'Sonny's Blues'," in College Literature, Spring, 1984, pp. 178-85.
This article discusses the use that Baldwin makes of music in "Sonny's Blues," and explains the role that jazz and blues play in the African-American tradition.
Bone, Robert A., The Negro Novel in America Yale University Press, 1958.
A classic, if somewhat dated, historical evaluation of the place of the novel in the African-American literary tradition and the place of African-American novels in American literary history. A "Postscript" concentrates specifically on James Baldwin.
Hakutam, Yoshinobu, and Robert Butler, The City in African-American Literature, Farleigh Dickinson University Press, 1995.
Containing two essays specifically about James Baldwin, this collection traces the use of the image of the city in African-American Literature from Frederick Douglass to the present day. One of the Baldwin essays, by Fred L. Standley, holds that Baldwin viewed the city as far superior to the countryside, and discusses Baldwin's trips to the South.
O'Daniel, Therman B., editor, James Baldwin: A Critical Evaluation, Howard University Press, 1977.
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