Sonny's Blues Sonny's Blues Baldwin, James
by James Baldwin

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(Contemporary Literary Criticism)

"Sonny's Blues" James Baldwin

The following entry presents criticism on Baldwin's short story "Sonny's Blues" (1957). See also James Baldwin Criticism (Volume 1), and Volumes 2, 3, 4, 5, 8, 15, 17, 127.

The short story "Sonny's Blues" is Baldwin's most highly acclaimed treatment of his signature themes: the nature of identity, race relations in the United States, human suffering, and the function of art. Set in the early 1950s in New York City, the story is narrated by an unnamed man who relates his attempts to come to terms with his long estranged brother, Sonny, a jazz musician. John M. Reilly, noting that an "outstanding quality of the Black literary tradition in America is its attention to the interdependence of personal and social experience," has concluded that "Sonny's Blues" both depicts and manifests the belief that the "artful expression of personal yet typical experience is one way to freedom."

Plot and Major Characters

After reading in a newspaper of Sonny's arrest for the possession and sale of heroin, the narrator—a high school algebra teacher aspiring to middle-class values, tastes, and security—recoils from the idea of getting involved in his brother's life. As he ponders the meaning of Sonny's situation and of his own fraternal obligations, the narrator recalls scenes and impressions from his childhood. He remembers in particular the story his mother told him about the murder of his uncle, a blues musician, the effect this had on his father, and his mother's subsequent entreaty to the narrator to always look after Sonny. After his relatively brief time in jail, Sonny comes to live with the narrator and his wife. The awkward, tentative conversations that ensue result in Sonny inviting his brother to hear him play at a Greenwich Village bar. Accepting the offer as an attempt at reconciliation, the narrator experiences—through the nuances of the music and the subtle interplay of the musicians—a sublime understanding of his brother and of the importance of music as a release from existential suffering.

Major Themes

Like much of Baldwin's writing, fiction as well as nonfiction, "Sonny's Blues" addresses specific racial issues and themes regarding the human condition. Displaying the influence of Jean-Paul Sartre and Albert Camus, whose works were largely responsible for articulating the philosophy of Existentialism, Baldwin depicts a world in which suffering characterizes man's basic state. The story's principal characters, however, not only struggle through an absurd world devoid of inherent meaning, but must also persevere in a society that tolerates racism. Baldwin thus sees black Americans suffering doubly: from the existential angst of the human condition, and from the humiliation, poverty, and violence imposed on them by a prejudiced society. In "Sonny's Blues" Baldwin addresses these issues by employing metaphors of darkness and anxiety, incorporating images of confinement, and offering portraits of life in contemporary Harlem and, through the narrator's recollection of his childhood and family, the American South. Another of the story's major themes concerns music, specifically jazz and blues. Baldwin uses these forms, which are African American in origin, for various purposes. Music is associated with particular eras and places-blues with the South's past and jazz, specifically bebop, with the modern urban setting. Also, Baldwin characterizes the narrator, in part, by his lack of musical knowledge; critics note that the emotional distance between the brothers is symbolized by the narrator's unfamiliarity with bebop and his ignorance of the great saxophone player Charlie "Bird" Parker. Moreover, commentators note that the narrator's epiphanic experience at the end of the story, when he hears Sonny's playing, instantiates the theme of the redemptive powers of music and signals the rebirth of the brothers' relationship.

Critical Reception

"Sonny's Blues" is generally considered one of Baldwin's finest works. Many...

(The entire section is 35,586 words.)