“The Song of the Happy Shepherd” is actually a theme poem, a declaration of poetic independence. It appears at the beginning of his first volume, and William Butler Yeats intended it as a manifesto—a statement of his poetic creed and a guide to the kind of poetry he was writing and would write. In it, he established his relationship to the poetry of the past and asserted that the role of poetry would have to change in the modern world. He stated that poetry would have to become more divorced from the things of the world, closer to the truths of the heart, more a law to itself.
The poem is divided into three unequal parts. Yeats begins by establishing the persona of the happy shepherd, following the ancient convention of the pastoral, centered on the country singer who comments from his innocent vantage point on the ways of the world. Yet almost at once he breaks from that convention by chanting, “The woods of Arcady are dead,/ And over is their antique joy.” Arcady was the classical location of the pastoral. This shepherd is asserting that the old vision no longer holds, that the old kind of poetry has failed. Having given up on dreams, the world now demands “Grey Truth”—the dingy matter of the daily newspaper. The shepherd derides the attention given to “the many changing things,” concluding instead that only words can confer value and permanence. Even the kings of the past now litter the trash containers of history, lucky to be...
(The entire section is 463 words.)