Characters
In the vibrant world of Spenser novels, the spotlight often falls on the iconic detective and his ensemble of familiar faces. In Small Vices, it is Spenser's own harrowing injury and subsequent path to recovery that dominate the narrative. This journey not only reveals the vulnerability of the seemingly invincible Spenser but also underscores his relentless drive to claw his way back from the brink of death and unearth the truth behind Melissa's murder.
Among Spenser's steadfast allies, Hawk stands out as a vital companion. Journeying with Spenser and Susan to the sun-drenched beaches of Santa Barbara, Hawk assumes the roles of both guardian and mentor during Spenser's lengthy recuperation. Abandoning his lucrative life as a hitman, Hawk's dedication is unwavering, though his presence fades slightly when Spenser apprehends Rugar in the bustling streets of New York City, all on his own.
The Sustaining Presence of Susan
Susan, ever supportive, becomes a cornerstone in Spenser's life. Initially, her desire to adopt a child seems intrusive, yet following Spenser's brutal encounter with Rugar, she selflessly discards her own ambitions and professional obligations to dedicate almost a year to his recovery.
Elsewhere in this tapestry of alliances, Martin Quirk plays a pivotal yet quieter role, orchestrating a clandestine hospital stay for Spenser and weaving the myth of his demise. Other allies, like Sergeant Frank Belson, Officer Lee Farrell, and Vinnie Morris, join this intricate charade, protecting Spenser's sanctum of healing.
The Return of Rita Fiore
Rita Fiore, a figure from Spenser's past, reemerges to reignite the plot. Once a formidable prosecutor, she now carries the scars of two failed marriages but retains her allure. Haunted by guilt, she urges her law firm to reopen the investigation into Ellis Alves, seeking redemption and perhaps reigniting old sparks with Spenser.
Paul Giacomin's Moment
Paul Giacomin, the surrogate son, briefly steps into the scene, offering emotional buoyancy to Spenser. His presence is a poignant reminder of Spenser's paternal role, even if the legal ties of adoption remain unformalized.
In stark contrast, the antagonists are painted with less sympathy. Marcy Vance, the earnest public defender, is sketched as a liberal troubled by racial tensions, having declined a plea bargain that sealed Ellis Alves' fate.
Trooper Miller, who engineered Alves' downfall, is portrayed with little nuance—a corrupt officer whose clumsy attempts to thwart Spenser foreshadow his own demise at the hands of Rugar.
The Complex Canvas of Ellis Alves
Ellis Alves, framed for Melissa Henderson's murder, emerges in vivid strokes. He candidly admits to lesser crimes, viewing the world with a jaded eye. Upon release, his path seems inevitably drawn back to the gritty streets of Boston.
The Intrigue of the Stapleton Family
Among Spenser's formidable foes, the Stapleton family looms large. Clint Stapleton, adopted into privilege, and Don Stapleton, a brazen titan of wealth, orchestrate a web of deceit to shield Clint from the consequences of Melissa's death. This family portrait is one of Parker's masterstrokes, illustrating the corrosive entitlements of the elite.
Don Stapleton's empire of corruption, from bribery to violent cover-ups, exemplifies his disdain for accountability. His arrogance is mirrored in Clint's demeanor, a tennis prodigy whose sport symbolizes exclusivity and individualism—qualities he flaunts in the face of Spenser's inquiry.
Together, father and son view Spenser's relentless pursuit of justice with disdain, embodying the privileges of their stature and the belief that the law bends to their will.
The Complexity of Clint
Clint emerges as a figure of intricate complexity, far removed from the simplicity his adoptive father embodies. Spenser hints at the tragic possibility that Melissa's death was not born of malice,...
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but perhaps a harrowing misstep in a reckless liaison with a white lover. Traces of guilt and sorrow shadow Clint's actions, and when the veil of truth is finally lifted in the district attorney's office, Clint's resentment erupts. He lashes out at his foster father, deriding him as a patronizing "Bwana," a man deluded into believing he can remedy all woes. Beneath Clint's cultivated facade of sophistication lies a tormented spirit, echoing with the anguish of a man severed from his roots and heritage. In the story's climax, these long-buried grievances burst forth with undeniable force.
Rugar: A Respected Foe
Conversely, Rugar stands as an adversary whom Spenser paradoxically esteems. Cast as a stoic "gray man," Rugar evokes shades of Edward G. Robinson's later cinematic roles. As a consummate and cold-blooded assassin, he cloaks himself in an aura of inconspicuousness, yet remains a chilling specter of dread to those aware of his presence. Unlike Don Stapleton, Rugar is a soldier of fortune in his own right, and this shared professionalism forges a reluctant camaraderie with Spenser, despite the threat Rugar poses to his life. Spenser's paramount objective is to unearth the truth behind Melissa Henderson's murder, relegating Rugar's punishment to a secondary concern.
Spenser regards Rugar with a grudging respect, acknowledging his lethal proficiency. Though revenge might stir within him, it is tempered by the triumph of capturing Rugar in a bustling New York office tower, leveling the playing field between them. Yet, Spenser acknowledges the peril in letting Rugar roam free, even in exchange for his testimony against Don Stapleton. Unlike a mere mob enforcer, Rugar's unwavering professionalism steers him away from petty vendettas against Spenser. Nonetheless, the narrative hints at the looming threat: should another commission Rugar, he would not hesitate to resume his deadly pursuit. Fans of the series are likely to cross paths with Rugar once more in the unfolding saga.