Child Story, 1981

(Great Characters in Literature)

The adult

The adult, an Austrian man, a simple parent living in Paris with his young daughter. He is in his late thirties. After the birth of his child, the parents’ marriage breaks up, and the man and his daughter move to Paris. The adult constantly reflects on his relationship to his child and often tends to view her as a kind of symbol of the innocence and spontaneity that he has lost in his own life. One night, he loses his temper and strikes the child. He feels great guilt over his act.

The child

The child, a girl around six years old. She is an average child and must deal with the consequences of her father’s move to Paris. She attends a special school and must learn to make new friends.

Slow Homecoming Summary

(Masterpieces of World Literature, Critical Edition)

Slow Homecoming is the English title of a collection of three of Handke’s short novels, whose individual titles may be translated as The Long Way Around, The Lesson of Mont-Sainte-Victoire, and Child Story. The three works feature separate plots and characters and different styles. Taken as a group, however, they represent variations on a common theme: the ways in which people view themselves and their place in the world around them.

The Long Way Around tells the story of Sorger, a geologist whose physical journey from Alaska, California, and New York to his home in Europe parallels an inner journey of discovery and self-awareness. At the beginning of the novel, Sorger is a loner who “had done no work expressly useful to anyone” and who “would not have been fit company for anyone”; he tries to comprehend the meaning of existence by obsessively describing the physical world. This approach fails, and Sorger nears a psychological collapse, but eventually he realizes that it is relationships with other people, not his science, that give life its significance. He leaves for home full of confidence and optimism.

The Lesson of Mont-Sainte-Victoire deals with art rather than science, relating the visual art of French painter Paul Cézanne to the literary art of Handke himself. Handke describes his visit to a spot in the Sainte-Victoire mountain range where Cézanne found particular...

(The entire section is 466 words.)

Slow Homecoming The Novels

(Literary Essentials: World Fiction)

Slow Homecoming consists of three, very loosely connected texts—The Long Way Around, The Lesson of Mont-Sainte-Victoire, and Child Story—which are veiled in fiction but remain strongly autobiographical. The various characters in the stories are stylized variations of the author’s persona. The three texts document a spiritual and artistic quest. The first work is a third-person narrative that treats the character of Valentin Sorger, a European geologist who is working above the Arctic Circle in Alaska. It consists largely of reflections on art and existence. Sorger lives in a small, primitive Indian village and makes “sketches” of the wild and half-formed landscapes. He feels estranged from the reality of his past. One day, he decides that he must return to his home in Europe.

Sorger first goes to San Francisco, where he has a home. He enters a state of extreme alienation and can barely speak. He is deeply interested in the forms and colors of nature and meditates on landscapes. What he seeks is a vision of some eternal law, a salvation. His sketching becomes a way of orienting himself, of locating himself in reality.

Sorger then flies to Denver to visit a former schoolmate who is a skiing instructor. He learns, however, that the man has just died. After staying a few days, he flies on to New York. He continues to meditate on the eternal law or “Form” that he seeks. There he meets a man named Esch, with whom he has a long and intense conversation. The text ends as he flies back to Europe.

The Lesson of...

(The entire section is 660 words.)

Slow Homecoming Summary

(Critical Survey of Literature for Students)

The Long Way Around. The geologist Sorger is doing research in the vicinity of a small Indian village in Alaska. He knows few people there: his friend and fellow scientist Lauffer, and an Indian woman with whom he has a relationship. At first he and the woman keep their affair secret. However, they gradually allow their relationship to be apparent to others. The time Sorger has in Alaska is limited. He returns to his house in an unnamed university town in California. Sorger has a close relationship with a neighbor family. On his way eastward, Sorger stops in Denver to visit an old friend. The discovery that this friend died makes Sorger rethink his relationship with his siblings. In New York, Sorger meets a man by chance who, despite all their differences, vaguely reminds Sorger of himself. Sorger’s movement, both physically and emotionally, is toward Europe. At the end, Sorger’s plane touches down onto European soil.

The Lesson of Mont-Sainte-Victoire. The narrator travels to the Provence area of France. Thanks to his appreciation of the paintings by Paul Cézanne, he views the highway, in all its banality, as pure color. He recalls other journeys, to Yugoslavia and in Upper Austria. He travels to Mont-Sainte-Victoire, which Cézanne painted. Near Puyloubier he encounters a large mastiff, and the fear that this animal represents is enough to make him forget all color and form in the landscape. Elsewhere a man threatens his life, then they walk a short way together. In a café on the Cours Mirabeau he sees a scene with card players that is almost exactly like a Cézanne painting. His expedition to the mountain gives him the justification for writing The Lesson of Mont-Sainte-Victoire. He becomes fascinated with the unity of the “thing-image-script” as he learns about it through studying...

(The entire section is 750 words.)