Dutchman (1964) emerges as Baraka's groundbreaking debut in the realm of professional drama, earning both accolades and awards. It is a searing exploration of racial tensions, encapsulated in the provocative interactions between a white woman and a black man aboard a subway train.

Preface to a Twenty Volume Suicide Note ... (1961) marks Baraka's initial foray into poetry, published by Totem Press, a venture he inaugurated in 1959. This collection captures the essence of his literary journey during the Beat Movement, reflecting its distinct aesthetic.

Blues People: Negro Music in White America (1963) stands as Baraka's esteemed chronicle of blues and jazz, traversing the cultural tapestry of the United States and African-American history, offering profound insights into these musical legacies.

The LeRoi Jones/Amiri Baraka Reader (1991), curated by William J. Harris, assembles a rich array of significant works and excerpts, spanning the diverse phases of Baraka's illustrious career.

Transbluency: The Selected Poems of Amiri Baraka/LeRoi Jones (1961-1995) (1996) brings together a vibrant collection of pivotal poems, showcasing the evolution of Baraka's poetic voice across decades.

The Autobiography of LeRoi Jones/Amiri Baraka (1984; reprinted in 1997) presents the compelling narrative of Baraka's own life, penned amidst the confines of prison, a consequence of his activism during a political demonstration.

Image of the Tiger: Essays by Amiri Baraka (1993), edited by Thornton Dial, gathers a selection of Baraka's impactful essays, highlighting his intellectual journey over the years.