Minnie Maddern Fiske
It will surprise numbers of well-meaning Americans to learn that a constantly increasing body of cultured, artistic people are beginning to regard the young English buffoon, Charles Chaplin, as an extraordinary artist, as well as a comic genius. To these Americans one may dare only to whisper that it is dangerous to condemn a great national figure thoughtlessly. First, let us realize that at the age of twenty-six Charles Chaplin … has made the whole world laugh. This proves that his work possesses a quality more vital than mere clowning…. To the writer Charles Chaplin appears as a great comic artist, possessing inspirational powers and a technique as unfaltering as Rejane's. If it be treason to Art to say this, then let those exalted persons who allow culture to be defined only upon their own terms make the most of it.
Apart from the qualified critics, many thoughtful persons are beginning to analyze the Chaplin performances with a serious desire to discover his secret for making irresistible entertainment out of more or less worthless material. They seek the elusive quality that leavens the lump of the usually pointless burlesques in which he takes part. The critic knows his secret. It is the old, familiar secret of inexhaustible imagination, governed by the unfailing precision of a perfect technique.
Chaplin is vulgar. At the present stage of his career he is frankly a buffoon, and buffoonery is and always has...
(The entire section is 525 words.)