The Gold Rush, certainly, is one of Chaplin's achieved masterpieces of silent comedy, the work of a great artist of sentiment and pathos. (pp. 31-2)
The story-line (The Gold Rush was made after A Woman of Paris) has become firm and rich. And if the film has none of the flabbergasting imagination of a Keaton … it nonetheless creates a comic world as viable as any, and with a great deal of genuine poetry to it. (p. 32)
The key elements in the vision?—The search for love, above all; this time found in the person of a girl harder and less "good" than the usual Chaplin heroine…. The existence of good and evil, too; the Big Jims and Black Larsens of the world...
(The entire section is 843 words.)