Tolkien’s final years were devoted to transforming a lifetime collection of notes and scattered writings into a cohesive publication. This formidable task was completed posthumously by his son Christopher, culminating in the release of The Silmarillion. The book shattered sales records upon its release, yet its reception among critics and readers was mixed. Those anticipating a narrative akin to The Lord of the Rings were met with a surprise, as The Silmarillion offers no hobbits, minimal dialogue, and instead presents a grand, cosmic narrative delivered in a style reminiscent of biblical scripture.

Readers who had been charmed by the lyrical verse and intricate detail that characterized Tolkien's earlier works found themselves navigating a text where summarization overshadowed the descriptive richness and character depth. As a result, many found themselves yearning for the more satisfying narratives of The Hobbit and The Lord of the Rings.

However, The Silmarillion was never intended to be a conventional novel. Rather, it stands as a testament to Tolkien’s imaginative endeavor to construct an entire universe, offering a historical account of his creative process. The focus is not merely on storytelling but rather on exploring the act of creation itself and the existential challenges of individual freedom within the confines of mortal time. The narrative demands a different approach, inviting readers to engage with the broader mythological framework that underpins Tolkien’s fictional world.

For those willing to delve deeper, The Silmarillion offers a wealth of scholarly intrigue, with its rich imagery, complex style, and profound philosophical themes. While many may initially turn to this work as a reference to enhance their understanding of Tolkien’s more mainstream novels, it holds its own as a unique piece of literature, worthy of appreciation for the insights and rewards it bestows upon its audience.