Download Silas Marner Study Guide

Subscribe Now

Silas Marner

(Critical Survey of Contemporary Fiction)

In an incident briefly recounted at the beginning of the novel, Silas Marner is cruelly betrayed by his best friend, who steals some money and contrives evidence suggesting that Silas is guilty. When a trial by lots conducted by Silas’ narrow Protestant sect confirms his guilt, Silas is bitterly disillusioned with divine, as well as human, justice. Moving to a rural village in central England, he isolates himself from all contact with the community and, by his assiduous weaving, accumulates a substantial sum in gold coins.

Silas’ lonely and miserly life is disrupted when his gold is stolen by Dunstan Cass, a son of the most prominent local landowner. The void which the loss of the gold leaves in Silas’ life is unexpectedly filled when a small child, the daughter of Dunstan’s older brother Godfrey by a secret marriage, wanders into Silas’ cottage. Rather than invite social disgrace by admitting his sordid marriage to a drunken barmaid, Godfrey fails to acknowledge the child. Silas undertakes the responsibility of rearing her.

Much of the significance of the novel turns on the contrast between the gold and his adopted daughter Eppie as successive centers of Silas’ life. In simplest terms, the gold isolated Silas, whereas Eppie brings him into cordial contact with the community. The child, George Eliot suggests, is like the angels who, in ages of religious belief, led men away from “threatening destruction” and toward a “calm and bright land.”

Silas attains his reward--and George Eliot asserts the moral of her fable--many years later when Eppie rejects Godfrey’s belated claim of paternity and chooses to remain with Silas.

Bibliography:

Beer, Gillian. George Eliot. Bloomington: Indiana University Press, 1986. A feminist approach to the novels of George Eliot that acknowledges Eliot’s power to redefine issues relating to gender while remaining within the traditional canon of English literature. The chapter on Silas Marner focuses on Silas’ weaving as a metaphor, with feminine associations, for the interconnections of circumstance that form Silas’ destiny.

Draper, R. P., ed. George Eliot: “The Mill on the Floss” and “Silas Marner.” London: Macmillan, 1977. Useful...

(The entire section is 673 words.)