Siegfried Sassoon

Start Free Trial

Biography

Download PDF PDF Page Citation Cite Share Link Share

Siegfried Sassoon, a prominent poet and soldier, emerged from a privileged yet turbulent background to become one of the most influential voices of World War I. His early life, shaped by a blend of artistic and mercantile influences, set the stage for his later literary accomplishments and his steadfast anti-war stance. Despite the acclaim he garnered during and after the Great War, Sassoon's journey was marked by internal struggles and a quest for spiritual meaning.

Early Life and Education

Born in 1886 in the idyllic Kent countryside, Siegfried Sassoon was the second son of Alfred Ezra Sassoon and Theresa Georgina Thornycroft. His father hailed from a distinguished lineage of Jewish merchants and bankers, tracing their roots through Spain, Persia, and India, before finally settling in England. However, Alfred Sassoon defied family tradition by marrying outside the faith, to Theresa, an artist and member of the English gentry, whose family included renowned sculptors. The marriage faltered, and Alfred departed when Siegfried was just five, leaving his mother to raise him as an Anglican.

Formative Years and Literary Pursuits

Siegfried's childhood education was unconventional; he was mostly taught at home by private tutors and a German governess until he attended Marlborough College in 1902. His academic journey continued at Clare College, Cambridge, where he briefly studied law before switching to history. Lacking the discipline for formal studies, he left without obtaining a degree. Back in Kent, he lived comfortably on a modest inheritance, indulging in foxhunting, horseracing, and writing poetry, which drew inspiration from the pastoral beauty of his surroundings. Between nineteen and twenty-six, he self-published nine poetry volumes, achieving a modest success with "The Daffodil Murderer" in 1913, a parody with its own distinct appeal. Encouraged by Edward Marsh, the editor of Georgian Poetry, Sassoon moved to London in 1914, mingling with literary figures like Rupert Brooke.

War Experience and Disillusionment

The outbreak of World War I marked a pivotal point in Sassoon's life. Seeking escape from a purposeless existence, he joined the army in August 1914, just before Britain declared war. Despite his sheltered upbringing, Sassoon found himself unprepared for the harsh realities of war. After recovering from a training injury, he was commissioned as an infantry officer, landing in France in November 1915 as part of the Royal Welch Fusiliers. There, he formed a significant friendship with poet Robert Graves, who challenged Sassoon's idealistic view of war. Through his experience in the trenches, particularly during the catastrophic Somme offensive of 1916, Sassoon's perspective shifted dramatically, moving him away from his earlier poetic style.

Heroism and Pacifism

Despite growing pacifist sentiments, Sassoon demonstrated remarkable bravery, earning the nickname "Mad Jack" for his daring actions. He received the Military Cross and was recommended for the Distinguished Service Order for his gallantry, such as rescuing wounded soldiers at Mametz and capturing enemy trenches alone. However, illness in July 1916 brought him back to England, offering him time to write poems for "The Old Huntsman, and Other Poems." During this period, influenced by pacifist circles led by Lady Ottoline Morrell, Sassoon became increasingly vocal against the war.

Protest and Consequences

In 1917, Sassoon's war protest reached its peak. After being wounded at the Battle of Arras, he publicly refused to return to service, issuing a statement accusing the government of prolonging the war for selfish motives. His protest, publicized in the press and mentioned in the House of Commons, was intended to prompt a court-martial, but instead, authorities largely dismissed it. In frustration, Sassoon threw his Military Cross into the Mersey River. With Robert Graves' intervention, Sassoon was diagnosed with shell shock...

(This entire section contains 839 words.)

Unlock this Study Guide Now

Start your 48-hour free trial and get ahead in class. Boost your grades with access to expert answers and top-tier study guides. Thousands of students are already mastering their assignments—don't miss out. Cancel anytime.

Get 48 Hours Free Access

and sent to Craiglockhart Hospital, where he bonded with fellow poet Wilfred Owen, influencing each other's work significantly.

Return to Duty and Post-War Life

Feeling guilty for leaving his comrades, Sassoon returned to duty later in 1917 but was again wounded in 1918, this time by friendly fire. The injury ended his active service, and he spent the remainder of the war recuperating in London. Post-war, Sassoon retreated into a contemplative life, characterized by a growing introspection. He briefly engaged in political and satirical writing for the Daily Herald, joining the Labour Party, but soon found the contemporary issues too complex for his previous clarity of conviction. As tensions rose in the 1930s, he attempted to warn of the dangers of modern warfare, but his warnings went largely unheeded, leading him to abandon political poetry in favor of introspective works.

Later Years and Spiritual Quest

Sassoon spent much of his later life in solitude, earning the moniker "the hermit of Heytesbury." His personal life remained private; he married in 1933 and had a son, George, but these relationships were seldom reflected in his poetry. During World War II, his estate hosted evacuees and American troops. After the war, Sassoon continued to live reclusively, with his poetry from the 1950s garnering little attention. Yet, he achieved personal peace when he converted to Catholicism in 1957. His final poetic collection, "An Octave," published on his eightieth birthday, reflected a serene faith, marking the quiet culmination of his life's journey before his death a year later.

Next

Critical Essays

Loading...