Siddhartha's Philosophical and Religious Themes
Clearly, the most obvious and significant aspect of Hermann Hesse's Siddhartha is its use of images, themes, and ideas drawn from Eastern religions. Having both traveled to India and studied extensively about Indian religions, Hesse was able to integrate a substantial understanding of Eastern religious traditions into his novel. In fact, Siddhartha does such a good job of developing Eastern religious themes that it has been published in India, and Indian critics have generally praised its sensitive understanding of their religious traditions.
From beginning to end, virtually every aspect of Siddhartha develops out of Hesse's knowledge of Eastern religions. For example, many of the characters are named after either Hindu or Buddhist gods: Siddhartha is the personal name of the Buddha, Vasudeva is one of the names of Krishna, and Kamala's name is derived from Kama, the Hindu god of erotic love. In addition, Hesse bases most of the novel's themes on various Hindu or Buddhist principles. For example, Siddhartha seeks to gain an understanding of both Atman, the individual soul, and Brahma, the universal soul that unifies all beings. In order to achieve this understanding, however, he must experience a vision that reveals to him the true meaning of Om, the sacred word that Hindus chant when meditating upon the cosmic unity of all life. The vast majority of Siddhartha's philosophical and religious questions develops out of his attempt to understand these religious principles or other themes drawn from Eastern religions such as meditation, fasting, renunciation, timelessness, transcending suffering, etc. While it would take an entire book to explain all of the religious ideas that Hesse develops in his novel, he generally presents at least a basic description of these ideas within the book itself. Consequently, readers can at least get a rudimentary understanding of these ideas even if they do not understand all of the subtle complexities of Eastern religious thought.
Not only does Hesse borrow names, themes, and ideas from Eastern religions, but he also bases and structures his narrative on the life of the historical Buddha. Much like Siddhartha in Hesse's novel, the historical Buddha was born into a wealthy family, but he renounced his wealth to live as an ascetic. After several years of self-denial, however, he came to realize the errors of asceticism. After leaving behind his austere life, he meditated under a Bodhi tree until he received Nirvana (or complete Enlightenment), and then he spent the rest of his life trying to help others reach Nirvana. This is very similar to the path that Siddhartha follows in the novel as he passes through similar stages of wealth, renunciation, meditation, enlightenment, and striving to teach others.
In addition to structuring the novel according to the Buddha's life, Hesse also structures the novel according to various principles found in the Buddha's teachings. In fact, several of the chapters are named after specific religious principles. For example, the chapter titled "Awakening" describes how Siddhartha comes to recognize the Buddhist belief that the path to enlightenment must be rooted in the here and now instead of focusing on other distant or transcendent worlds. In addition, the chapter titled "Samsara" describes how Siddhartha is caught in a continuous cycle of death and rebirth because he has not yet achieved a state of total enlightenment or Nirvana, and the chapter titled "Om" describes how Siddhartha eventually escapes from Samsara to achieve a vision of the essential unity of all things. These chapter titles accurately describe the spiritual development that Siddhartha undergoes in each chapter, and these stages of spiritual development provide the structure that organizes both the novel's development as a narrative and Siddhartha's development as a character. Even the chapters that are not...
(The entire section is 1594 words.)