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Shakespeare's Sonnets

by William Shakespeare

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Discussion Topic

The tone and speaker in Shakespeare's Sonnet 14

Summary:

The tone of Shakespeare's Sonnet 14 is contemplative and admiring, as the speaker reflects on the subject's beauty and its cosmic significance. The speaker, who is likely Shakespeare himself, uses astrological imagery to convey how the subject's beauty influences his understanding of truth and destiny.

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What is the tone of Shakespeare's Sonnet 14 and who is the speaker?

The tone in Shakespeare's Sonnet 14 is one of loving reverence. The speaker tells us that he has studied astronomy and can understand the stars in their physical sense, but he cannot read them as an astrologer would. He cannot 

...tell of good or evil luck,
Of plagues, of dearths,...

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or seasons' quality;
Nor can I fortune to brief minutes tell,
Pointing to each his thunder, rain and wind.

After admitting this to his subject, the speaker says that he can read the stars in her eyes:

But from thine eyes my knowledge I derive,
And, constant stars, in them I read such art
As truth and beauty shall together thrive.

Here is where he illustrates his reverence. Having studied the stars, he reveres her, because he sees "truth and beauty" in her eyes and not where he really should see it - in the stars.

In the last three lines the speaker adds a sense of love to his words. He says:

If from thyself to store thou wouldst convert;
Or else of thee this I prognosticate:
Thy end is truth's and beauty's doom and date.

He's saying that her "end" would be the end of truth and beauty. If she does not live on, through children, truth and beauty will die with her. These are the very loving words that add to the reverence of the opening lines.

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What is the tone in Shakespeare's Sonnet 14, and what supports this?

In Shakespeare's Sonnet 14, the tone of the poem is one of tribute or acclaim for the woman he loves.

The speaker tells the subject of the poem that he is not well-versed in being an astronomer with the "talents" as one might have expected in that day, but he has enough to call himself an astronomer, and he will relay this information to his audience later. (This is somewhat paradoxical in that he says he is an astronomer, but can't do what astronomers can do: all will be clarified later.)

He says:

...methinks I have astronomy,
But not to tell of good or evil luck, 
Of plagues, of dearths, or seasons' quality;
Nor can I fortune to brief minutes tell, 
Pointing to each his thunder, rain and wind, 
Or say with princes if it shall go well (lines 2-7)

Line nine, as is typical for Shakespeare's sonnets, starts the third quatrain with a shift of his focus from what he cannot do, to what he can do. Whereas the tone has seemed to indicate a lack of ability, the speaker has just been getting started—and here he changes the direction of his overall message. The "shift" is seen with the word "But."

In the third quatrain he alludes to being an astronomer again, but the stars he gazes at are not in the heavens, but in his sweetheart's eyes. Using a metaphor, he compares her eyes to stars:

But from thine eyes my knowledge I derive,
And, constant stars, in them I read... (lines 9-10)

The last two lines of the quatrain assert that in this woman, truth and beauty would live together in perfect harmony, but especially if she were to have a child and pass these characteristics on to that child.

As truth and beauty shall together thrive,
If from thyself to store thou wouldst convert; (lines 11-12)

The rhyming couplet (the poem's conclusion—the final two lines) sums his message up: that in his role of the "astronomer," if she does not have a child, that truth and beauty will die when she dies, for she epitomizes all that truth and beauty are, in his "astronomer's eyes."

Or else of thee this I prognosticate: [foretell]
Thy end is truth's and beauty's doom and date. (lines 13-14)

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