Style and Technique
This story shows Conrad’s finest use of the doppelganger, or double, a symbolic figure who serves to show the true character of the protagonist by exhibiting the darker, more unsavory sides of his nature. Thus, Leggatt, who shares the middle-class background, naval training, morals, and assumptions of the young captain, forces the captain to admit that he, too, is a potential murderer and therefore less than the perfect hero that he originally hoped to be. In other words, Leggatt and the captain are alter egos, dark and light sides of the one self. In fact, the impression that the two of them together form a single complete person, both good and evil, is reinforced by the fact that only one of them has a name.
Conrad’s style is also very rich in pictorial description. He masterfully uses setting to suggest the...
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