Setting
The story starts in colonial India, where Mary Lennox resides with her parents. Following their deaths, Mary is sent to live with her reclusive uncle at Misselthwaite Manor in Yorkshire. At Misselthwaite, Mary stumbles upon a garden that has been locked and neglected for a decade, ever since her uncle's wife sustained a fatal injury there. The garden is overrun with dead or dying weeds and grasses. Mary chooses to make the garden her private sanctuary and sets out to restore it.
Literary Qualities
Although The Secret Garden possesses many elements typical of a fairy tale, its most fundamental symbol is grounded not in fantasy but in nature. The rejuvenation of the abandoned garden mirrors the rejuvenation of Mary and Colin. Like them, the garden has been neglected and left to wither, yet it still contains the seeds—though hidden and buried—that can allow it to bloom and flourish if someone takes the time to care for it. As the garden thrives, so do the children who tend to it. Once the garden is brought back to life, the children come to understand its immense strength and power. They call this power "magic," and recognize that magic works "best when you work yourself." They sing hymns and chant incantations, joyfully realizing that they, too, partake in and sustain the miracle of life.
Symbolically, Burnett draws from an ancient pastoral literary tradition, transforming the garden into a nurturing, maternal figure. The garden provides the children with a secure, secluded space where they can learn to care for themselves and others. Indeed, the children spend about nine months—spring, summer, and fall—sheltered behind the garden's protective walls before they emerge victorious.
But she was inside the wonderful garden, and she could come through the door
under the ivy at any time, feeling as if she had discovered a world all her
own.
The Secret Garden's tightly unified plot is driven by the changing
seasons, allowing the rebirth of both the garden and the children to occur
smoothly and cohesively. Burnett also effectively uses dialogue: Colin's and
Mary's increasing adoption of Dickon's Yorkshire dialect vividly illustrates
their growth as they learn to see the world through their friend's perspective.
Ultimately, the characters' development and their ability to transform their
lives make this novel a story of redemption.
For Further Reference
Bixler, Phyllis. Frances Hodgson Burnett. Boston: Twayne, 1984. This comprehensive analysis delves into Burnett's novels for both adults and children, focusing particularly on her portrayal of female characters.
Burnett, Constance Buel. Happily Ever After: A Portrait of Frances Hodgson Burnett. New York: Vanguard, 1969. Predominantly based on Burnett's autobiography, The One I Know the Best of All (1893), this engaging and positive biography is especially appealing to younger readers.
Gohlke, Madelon S. "Rereading The Secret Garden." College English 41 (April 1980): 894-902. Gohlke contrasts her experiences reading The Secret Garden as an adult and as a sickly child, exploring the novel's themes of death, rebirth, health, and illness.
Keyser, Elizabeth Lennox. "'Quite Contrary': Frances Hodgson Burnett's The Secret Garden." Children's Literature 2 (1983): 1-13. This article investigates the narrative shift towards Colin at the conclusion of the novel.
Koppes, Phyllis Bixler. "Tradition and the Individual Talent of Frances Hodgson Burnett: A Generic Analysis of Little Lord Fauntleroy, A Little Princess and The Secret Garden." Children's Literature: An International Journal 7 (1978): 191-207. An insightful and detailed comparative study of these three novels.
Thwaite, Ann. Waiting for the Party: The Life of Frances Hodgson Burnett 1849-1924. New York: Charles Scribner's Sons, 1974. An exceptionally thorough biography that includes a bibliography of Burnett's plays performed in both England and America.