Masterpieces of Women's Literature The Second Sex Analysis - Essay

Simone de Beauvoir

Masterpieces of Women's Literature The Second Sex Analysis

The French Revolution’s ideal of “Liberty, Equality, and Fraternity” is the standard against which Beauvoir measures the status, or situation, of woman both during and before the twentieth century. At almost every juncture, she finds that the revolutionary ideal refers to men, not to women. She concludes that the reference can best be extended to women in a world that adheres to the principles of Marxist socialism and to the tenets of existentialist freedom. It is in the context of existentialism that she analyzes the Otherness, the secondness, of woman. To her concept of woman as the Other she gives the name “alterity” (alterité), derived from the Latin word alter, which means both “other” and “second.”

In the existentialism propounded by Beauvoir and Jean-Paul Sartre, the self is subject (I exist, I feel) and anyone or anything exterior to the self is object (someone or something that I may use or that I find to stand in my way). All objects constitute the Other. Beauvoir’s thesis is that man sees himself collectively as subject and that woman, historically seen by man as object, must first recognize that she has been conditioned to see herself as the Other and then strive, as a free individual, both to assert herself as subject and to win recognition as subject from man. Those subjects existing in freedom (liberté) who see each other as subjects (as equals) live in confraternity. The very last statement of The Second Sex is this: “. . . it is necessary . . . that, beyond their natural differentiations, men and women affirm their brotherhood (fraternité) unequivocally.”

The obstacle to fraternal affirmation is alterity, a persistent form of prejudicial objectification. The concept is explained in chapter 9, “Dreams, Fears, Idols,” which is the last...

(The entire section is 757 words.)