Sean O'Casey Criticism
- O'Casey, Sean (Vol. 1)
-
O'Casey, Sean (Vol. 11)
- Introduction
- The Essential and the Incidental
- Ever a Fighter: 'The Drums of Father Ned'
- Sean O'Casey and Expressionism
- Popular Tradition and Individual Talent in Sean O'Casey's Dublin Trilogy
- Take a Member of the IRA
- Poets, Poltroons and Platitudes: A Study of Sean O'Casey's 'The Shadow of a Gunman'
- O'Casey, Sean (Pseudonym of John Casey)
- O'Casey, Sean (Vol. 5)
- O'Casey, Sean (Vol. 9)
-
O'Casey, Sean (Vol. 88)
- Introduction
- Principal Works
-
Criticism
- Two Plays: Juno and the Paycock [and] The Shadow of a Gunman
- Two Plays
- Sean O'Casey, Up to 12
- An Irish Proletarian
- Himself, and Things That Happened
- An extracted interview in The Sting and the Twinkle: Conversations with Sean O'Casey
- The Anti-heroic Vision
- The Sean O'Casey Reader: Plays, Autobiographies, Opinions
- Sean O'Casey
- The Letters of Sean O'Casey, Vol. I, 1910–1941
- A Revaluation in the Light of the Absurd
- O'Casey, the Style and the Artist
- Liturgy and Epiphany: Religious Experience as Dramatic Form in Two of Seán O'Casey's Symbolic Plays
- Further Reading
-
O'Casey, Sean 1880-1964
- Introduction
- Principal Works
- Criticism: Overviews And General Studies
- Criticism: The Shadow Of A Gunman
- CRITICISM: JUNO & THE PAYCOCK
- Criticism: The Plough And The Stars
- Criticism: The Silver Tassie
- Criticism: Cock-A-Doodle Dandy
- Further Reading