Irina Arkadina

Irina Arkadina (ihr-IHN-uh ahr-kah-DIH-nuh) is a renowned but aging Russian actress, consumed by vanity and egotism. Her life revolves around the public's admiration of her art, leaving her unable to form genuine connections with those closest to her, such as her lover, Boris Trigorin, and her son, Constantine Treplieff. Her neglect and emotional distance from Constantine drive him towards despair and self-destruction. Despite her supportive gestures towards Nina Zarietchnaya's acting career, Irina's motives are questionable, as Nina symbolizes the youth and beauty that Irina lacks.

Constantine Treplieff

Constantine Treplieff (kohn-stahn-TIHN trehp-LYEHF) is Irina Arkadina's son, a young writer driven by idealistic visions both in love and art. He passionately loves Nina Zarietchnaya and constantly challenges literary norms, believing that literature should depict life as it ought to be rather than as it is. In his darkest moment, he shoots a seagull—a symbol of human aspiration—and later attempts to take his own life. By the play’s conclusion, abandoned by Nina, misunderstood by his mother, and ignored by the literary community, Constantine succumbs to despair and ultimately commits suicide.

Boris Trigorin

Boris Trigorin (boh-RIHS trih-GOH-rihn), a successful writer and Irina Arkadina’s lover, finds himself trapped by the demands of his profession. Despite his success, he garners little joy from his accolades, perceiving writing as an oppressive force that demands constant creation. In contrast to Constantine's idealism, Trigorin adheres to established literary forms, yet his restlessness leads him to use and discard people. His weakness results in his marriage to and subsequent abandonment of Nina Zarietchnaya. Some critics suggest that Trigorin’s insights into writing reflect the playwright’s own views.

Nina Zarietchnaya

Nina Zarietchnaya (NIH-nuh zah-REHCH-nuh-yah) is the daughter of a wealthy landowner and an aspiring actress. Her free spirit defies her authoritarian father and stepmother, who disapprove of the bohemian circle at Sorin's estate. Initially in love with Constantine, her affections shift to the older, enigmatic Boris Trigorin during her brief theatrical stint. Encouraged by Irina Arkadina, Nina pursues an acting career but faces numerous setbacks, including being abandoned by Trigorin and losing their child. Despite her misfortunes, she retains her resolve and passion, symbolizing her strength to endure like a seagull. Her final rejection of Constantine devastates him, contributing to his tragic end.

Peter Sorin

Peter Sorin (PYOH-tr soh-RIHN) is Irina Arkadina’s brother, residing on the country estate where the play unfolds. His past dreams have crumbled, leaving him in a state of dissatisfaction and eager to escape his monotonous existence.

Ilia Shamraeff

Ilia Shamraeff (ihl-YAH shahm-RAH-ehf) manages Sorin’s estate. His gruff and surly demeanor reflects his discontent with his social standing.

Paulina Shamraeff

Paulina Shamraeff (poh-LIH-nuh), wife of Ilia Shamraeff, harbors unrequited love for Eugene Dorn. Dissatisfied with her marriage, she is often seen with Dorn, suggesting an affair that remains unfulfilled. Aware of the inevitable passage of time and its impact on her hopes, she attempts to entice Dorn to elope with her. However, he remains indifferent, worn down by his life as a doctor and his lack of financial security.

Masha Shamraeff

Masha Shamraeff (MAH-shuh), the daughter of Ilia and Paulina, harbors an unrequited love for Constantine Treplieff. Resigned to her circumstances, she marries Simon Medviedenko, a dull and impoverished schoolmaster.

Simon Medviedenko

Simon Medviedenko (seh-MYOHN mehd-VEHD-ehn-koh), a provincial teacher, marries Masha Shamraeff, who is perpetually dissatisfied. He struggles with financial burdens and responsibilities, which overwhelm him.

Eugene Dorn

Eugene Dorn (ehv-GEH-nihy dohrn) is a 55-year-old physician, weary of his life and unwilling to elope with Paulina Shamraeff despite her advances. Though his practice has been significant, he finds himself penniless but unfearful of death, finding joy in life regardless of his circumstances.

Jacob

Jacob is a servant in the Sorin household, contributing to the daily operations of the estate.

a maid

A maid serves in the Sorin household, assisting with domestic duties.

A cook

A cook is part of the staff in the Sorin household, responsible for meal preparations.