And the Sea Is Never Full Summary
by Elie Wiesel

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And the Sea Is Never Full Summary

(Literary Masterpieces, Critical Compilation)

“All rivers run to the sea,” says Ecclesiastes, “and the sea is never full.” Elie Wiesel took the title of his first volume of memoirs from that biblical verse’s initial phrase. Tous les fleuves vont à la mer (1994; All Rivers Run to the Sea, 1995) ended where its sequel begins, with his marriage to Marion Erster Rose in Jerusalem on April 2, 1969. On June 6, 1972, their son Elisha was born. Both events, life-changing and joyful ones for Wiesel, figure prominently in his second volume, which also takes its title from Ecclesiastes. That title theme—the sea is never full—identifies the rhythm that governs this autobiography: Wiesel’s memoirs contain amazing success stories, but each is linked to twentieth century darkness, to a labyrinth of heartbreaking memories that breed unanswerable questions. Exploring those tensions in compelling ways, Wiesel’s memoirs provide moral guidance at the dawn of a new century.

Wiesel’s life brims with accomplishment: more than thirty widely read books, distinguished professorships, literary awards, and honorary degrees, the confidence of political leaders, the Nobel Peace Prize. His parents, Shlomo and Sarah, had the more modest dream that he would become a rosh yeshiva, the leader of a Jewish school where the Talmud is studied. Assaulted by Nazi Germany’s fanatical anti-Semitism, the world of Eastern European Jewry that spawned their hope no longer exists. Nevertheless, Wiesel fulfilled a version of his parents’ longing; few persons have done more to encourage the post-Holocaust study of Jewish texts and traditions. At the time of his birth in 1928, however, it could scarcely have been imagined that events would take him from his humble origins in Sighet, Romania, to the international acclaim that he achieved seventy years later. Yet—that theme is among Wiesel’s favorites—the sea is never full, for the events that took Wiesel to fame include what he calls “the Event”—the Holocaust, Nazi Germany’s attempt to annihilate the Jewish people.

Hasidism, Wiesel’s best-loved Jewish tradition, emphasizes the celebration of life’s goodness. It also recognizes what Wiesel understands profoundly; namely, that life’s preciousness must be acclaimed in spite of the forces of hate, injustice, indifference, and violence that push humanity to the brink of hopelessness and despair. So the sea is never full. However much Wiesel has done, whatever his successes may be, he cannot forget that his status in the high-powered worlds of New York and Washington, Paris and Moscow, Oslo and Jerusalem, is not so far removed from the boyhood home that he shared with his older sisters, Bea and Hilda (they, too, survived the Holocaust), or from Auschwitz, where the Germans murdered his mother and his little sister Tziporah, or from Buchenwald, where American troops liberated Wiesel but not before his father perished there.

Wiesel works to sustain memory. “I am afraid of forgetting,” he writes, and thus a single photograph hangs above his writing desk. “It shows my parents’ home in Sighet,” he explains. “When I look up, that is what I see. And it seems to be telling me: Do not forget where you came from.’” In one of the book’s most moving episodes, Wiesel describes a journey in July, 1995. He takes his son Elisha and his nephew Steve Jackson to see where their grandparents lived in Sighet and then guides them on the memory path to Auschwitz. Grief and joy, loss and promise mix and mingle. “Ours is the tree of an old Jewish family whose roots touch those of Rashi and King David,” Wiesel recalls. “And look: Its branches refuse to wither.” That refusal comes in spite of what memory recalls. Wiesel brings Elisha and Steve to Birkenau, the killing center at Auschwitz. It was in Birkenau, 1944, that Wiesel discovered what he calls “evil that saps all joy.” Nevertheless, he testifies, the sapping, let alone the elimination, of joy must not have the last word.

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(The entire section is 2,179 words.)