The narrative structure of the story in question defies conventional expectations, presenting a seemingly simple yet disjointed series of events. Readers accustomed to a straightforward sequence of connected happenings might find themselves disoriented. This intentional confusion is central to the writer's craft, serving as a vehicle to convey her message: life’s certainties are often illusory, and exploring the unknown is essential. Meaning is fluid in this tale, with words morphing in significance from one sentence to the next; at one moment, the narrator refers to having both a husband and a wife, challenging even the fundamental assumption of their gender.

Le Guin is tasked with the delicate challenge of illustrating a world that eludes linguistic and rational categorization, all while being confined to the very language she aims to transcend. She employs indirect methods—puns and literal interpretations—forcing readers to grapple with a shifting terrain of understanding. This technique underscores the subjectivity inherent in meaning, even when one adheres to the strictures of language and grammar.

Through her work, Le Guin posits that language must evolve to acknowledge and embody the myriad perspectives present in the universe. In her introduction to Buffalo Gals and Other Animal Presences (1987), she envisions a future where "the word is not sword, but shuttle," suggesting a linguistic transformation that embraces rather than excludes diverse perceptions. Her use of elusive, mutable language is a methodical approach to guide readers towards this expansive understanding of communication.