Sarah's Key

by Tatiana de Rosnay

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Chapters 9-10 Summary

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Paris, 1942

The girl and her parents are taken to a large garage where men are working on engines and stare at them silently. In one corner of the garage is a large group of people, mostly women and children, standing silently with an assortment of bags and baskets. Soon two policemen appear and begin calling out names. The girl’s father raises his hand when their family name is called.

The girl looks around and sees a classmate from school. She gives him an encouraging look but he stares at her like she is “crazy.” She is embarrassed and wonders if she is right to be hopeful. When her father bends down close to her and asks where her brother is, she shows him the key and explains that he is safely tucked into their hiding cupboard with plenty of air, a flashlight, and some water. His eyes immediately fill with tears as he explains that they will not be allowed to go back. Something “cold and horrible” creeps through her as the import of his words become a reality. She practically screams at him, asking why they cannot go home, but her father simply tells her quietly that she must be brave. The girl is too afraid to cry and says she promised her brother she would come back for him; her father is not listening as he deals with his own grief and fear.

They are all sent outside and ordered to board the city buses waiting there for them. As they ride to their unknown destination, she thinks about her brother, waiting patiently for her to come back. After driving through a rainstorm, the buses finally arrive at a great building; the French police are herding people, carrying their suitcases and children, from many buses from all over the city. It is a covered arena and there are hundreds of people in it. The heat grows stifling and unbearable. She asks her father again why they are there, and he finally indicates the yellow star sewn on her blouse and notes that everyone in the room is wearing one. She tells him it is not fair, and her father agrees.

A month ago her mother had sewn the yellow stars on all of their clothing, except for her brother’s, and before that their identity cards had been stamped with either “Jew” or “Jewess.” Suddenly they had not been allowed to play in the park or use public facilities such as the swimming pool and the library. Signs saying “Jews Forbidden” were everywhere, and any shopping her mother did had to be late in the day when there may or may not have been anything left to buy. It is all so unfair, and no one can explain to her why it is happening.

Paris, 2002

Julia works for a weekly American magazine called Seine Scenes . She has worked there for six years, and it is a difficult job. She covers events that Americans in Paris might be interested in, and her boss is tyrannical. Joshua is not concerned about the personal lives of his employees and has no patience with excuses; however, this man in his fifties is a shrewd editor and businessman. Bamber is the photo editor. Almost thirty years old, Bamber has orange hair, a British accent, and multiple piercings. He is discreet and efficient, a helpful ally on the days when Joshua is on the rampage. Alessandra is the features editor, half Italian and “terrifyingly ambitious.” Julia is never sure whether she likes her or not, as Alessandra is half her age and...

(This entire section contains 903 words.)

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makes the same amount of money, though her name is located under Julia’s on the masthead.

Joshua is assigning stories to his staff, and Julia is to cover the sixtieth anniversary of an event called the “Vel’ d’Hiv’.” She is not sure what the event is, and Alessandra looks at her patronizingly as Joshua explains. On July 16, 1942, thousands of Jewish families were rounded up and taken to a famous indoor stadium; they were held there in appalling conditions until they were shipped to Auschwitz and killed. Julia vaguely remembers hearing about the event.

Bamber says he will go get photographs of the arena but is told it no longer exists. Julia is to talk to survivors and anyone else she can to write an unsentimental story about the event. Alessandra tells her to talk to Franck Lévy, a man who created an association to help Jewish people find their families and belongings after the war. Julia plans to talk to people who may have lived on the same street as the arena, but Joshua warns her there are not likely to be many people who are going to want to talk. The entire grim event is one about which most French people would rather remain silent.

Julia spent the afternoon reading everything she could about the Vel’ d’Hiv’. Most of the books on the event are out of print, but she calls several bookstores and asks them to help her find them. By the end of the afternoon, Julia is exhausted, and both her head and heart are heavy with the things she has learned. More than four thousand Jewish children between the ages of two and twelve, most of them born in France, had first been locked into the arena and then sent to Auschwitz. None of them returned.

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