Student Question
In "Salvation," what type of details does Hughes include in his narrative?
Quick answer:
Hughes's narrative in "Salvation" includes vivid sensory details that immerse the reader in the scene. Initially, he provides a generalized description of a revival meeting, capturing the atmosphere with sights, sounds, and actions like preaching and praying. As the focus shifts to Langston's personal experience, more specific details emerge, such as the preacher's gestures and the appearance of congregants. These descriptive elements highlight the universal nature of his experience at the revival.
Description uses the five senses of sight, sound, taste, touch, and smell to place a reader in a scene. Hughes starts by offering a very generalized description of a revival meeting. It could be any revival, with
preaching, singing, praying, and shouting, and some very hardened sinners had been brought to Christ, and the membership of the church had grown by leaps and bounds.
It's as if Hughes wants to deliberately distance us from any specifics. However, when it comes to the children being brought up to be saved, the concrete descriptive details appear, pointing to this part of the essay as describing a specific salvation experience. Examples of such descriptive details include the preacher holding
out his arms to all us young sinners there on the mourners' bench
As the camera, so to speak, zooms in on Langston's individual experience, he lets us see, too,
old women with jet-black faces and braided hair, old men with work-gnarled hands
We also hear the specific words of a hymn being sung.
Hughes frames his own trauma, in which he lies about being converted so as not to cause too much of a problem and to live up to expectations, within a generic experience of revival meeting. Although Hughes's anguish is his own, the way the description is handled suggests this happens in many places to many people.
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