Salman Rushdie Criticism
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Rushdie, Salman
- Introduction
- Principal Works
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Criticism
- Reconstructing Midnight's Children and Shame
- Saleem Fathered by Oskar: Intertextual Strategies in Midnight's Children and The Tin Drum
- A Pudding of Puns
- Exiles
- No Way Back to Kansas
- Place and Displacement in Salman Rushdie's Work
- Review of The Moor's Last Sigh
- ‘Nomsense’: Salman Rushdie's The Satanic Verses
- The Emperor's New Clothes
- Going Unsuccessfully West
- Mister Multiplicity
- Review of The Ground beneath Her Feet
- Satanic Choices: Poetry and Prophecy in Rushdie's Novel
- Aspects of the Grotesque in Rushdie's The Satanic Verses
- Woman, Nation and Narration in Midnight's Children
- Apocalyptic Narratives: The Nation in Salman Rushdie's Midnight's Children
- Review of The Ground beneath Her Feet
- The Art of Uncertainty: Cultural Displacement and the Devaluation of the World
- Reading Rushdie after September 11, 2001
- Fairy Tale Politics: Free Speech and Multiculturalism in Haroun and the Sea of Stories
- Kicking Him While He's Up
- Wild in the Streets
- A State of Wrath
- Escape to New York
- When Worlds Collide
- The Dialectic of Shame: Representation in the Metanarrative of Salman Rushdie's Shame
- Mullahs, Mystics, Moderates, and Moghuls: The Many Islams of Salman Rushdie
- Salman Rushdie and the Sea of Stories
- Step Inside Rushdie
- Midnight's Orphans, or a Postcolonialism Worth Its Name
- Further Reading
- Rushdie, (Ahmed) Salman (Vol. 31)
- Rushdie, (Ahmed) Salman (Vol. 23)