Saint Augustine's Pigeon Summary
Karl Muhlbach decides, after reading a passage from Saint Augustine’s Confessiones (397-400; Confessions, 1620) dealing with the tension between flesh and spirit, that the celibacy enforced by the death of his wife should end. Barely more than forty years old, Muhlbach rebels against his ordered, ascetic life, presided over by his housekeeper, Mrs. Grunthe, and decides to cross the river into Manhattan one Saturday evening in search of a mistress. His choice of that word is significant; it reveals how out of touch with the mores of his society Muhlbach has become.
The carefully structured life that Muhlbach leads, with dinner each night at eight and wine with it only on Sundays, stifles both body and soul. He silently assures Mrs. Grunthe that he intends this evening to go to Hell. Showering in preparation for the journey, Muhlbach admits that he looks “professorial” but hopes that his chances will be improved by the fact that he has plenty of money in his pockets. He is looking for a sophisticated woman, somebody uninhibited sexually. Muhlbach admits that what he wants is a companion as unlike himself as possible. With his children Donna and Otto safely occupied and Mrs. Grunthe prepared to mount guard over the home, Muhlbach takes the first step on his descent into the underworld by taking a subway ride to Manhattan.
Muhlbach is convinced that the type of woman for whom he is looking is not that represented by Eula Cunningham, who had called while he was in the shower. Eula confesses to thirty-two but reminds him of thirty-eight, and Muhlbach finds her too ordinary and domestic to tempt him. Getting off the subway, he thinks that he sees the profile of Blanche Baron, an elegant redhead whose husband has killed himself. The sight of her sparks his imagination, so Muhlbach telephones her apartment. The fact that a man answers the phone discomfits him a bit, but it also encourages him in his quest. If Blanche Baron can find a new companion, so can Karl Muhlbach. It is clear, however, that he has no strategy in mind to accomplish this purpose. Muhlbach is carried along the street by the crowd and ends up in a bar on Lexington Avenue that he has not visited for nearly a year. There he is eyed by a Hollywood actress whose name he cannot quite remember, but he recognizes that she has no real interest in him. Her glance suggests that he must content himself with somebody ordinary and unimaginative, such as Eula Cunningham.
Stung by this rejection, Muhlbach takes a bus to Washington Square to try his luck among the bohemians of Greenwich Village. He literally bumps into a teenage girl named Rouge, who takes him to a coffee shop called the Queen’s Bishop. Both confused and attracted by her language, a mixture of French and contemporary English slang, Muhlbach accepts Rouge’s challenge to play chess. He recognizes too late that she wants to win the game. He initially thinks that the hamster nibbling his trouser cuff is Rouge’s foot expressing sexual interest. He takes the appearance of her friends Quinet and Meatbowl as a sign of acceptance. The shop manager brings four bowls of soup, and Muhlbach takes this as an indication that he has fit in at the Queen’s Bishop—until the manager makes it clear that he is expected to pay for all the food. Muhlbach concludes that he is paying for intruding into a place where he does not belong. A passage from Saint Augustine’s Confessions comes to his mind. It discusses serving one’s fellows, seeing them as pilgrims like oneself, in order to live in God’s sight.
Outside the coffee shop, Muhlbach feels a renewed sense of sexual deprivation, and it seems to him a kind of illness. “Yet the cure is absurdly simple,” he thinks: “The body of a woman, that is all.” Muhlbach takes a taxi to the Club Sahara, where exotic dancers with names such as Nila, Lisa, and Riva perform for patrons in need of fantasy. He finds these performers, especially Nila,...
(The entire section is 1,042 words.)