Sacred Water Summary
Leslie Marmon Silko’s commitment to shared husbandry of the land of the Southwest is perhaps nowhere better and more simply articulated than in this privately published, limited edition collection of prose poems and photography. Silko incorporates her family traditions in photography to create a multimedia text. The black-and-white pictorial images of water, clouds, mountains, rocks, reptiles, and flora nicely accompany the written text, which shows Silko’s understanding of the importance of water in terms of sustenance, ecological balance, and religious practice.
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Antell, J. A. “Momaday, Welch, and Silko: Expressing the Feminine Principle Through Male Alienation.” American Indian Quarterly 12 (Summer, 1988): 213-220.
Chavkin, Allan, ed. Leslie Marmon Silko’s “Ceremony”: A Casebook. New York: Oxford University Press, 2002.
Danielson, Linda. “The Storytellers in Storyteller.” Studies in American Indian Literatures 5, no. 1 (1989): 21-31.
Dunsmore, Roger. “No Boundaries: On Silko’s Ceremony.” In Earth’s Mind: Essays in Native Literature. Albuquerque: University of New Mexico Press, 1997.
Garcia, Reyes. “Senses of Place in Ceremony.” MELUS 10 (Winter, 1983): 37-48.
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Sax, Richard. “One World, Many Tribes: Crosscultural Influences in Silko’s Almanac of the Dead.” In Celebration of Indigenous Thought and Expression. Sault Ste. Marie, Mich.: Lake Superior State University Press, 1996.