“Chattanooga Choo-Choo” pits men against women. The husbands, Anselmo and Ramon, regard themselves as the ones who set the rules and dominate the battle of the sexes. That is, however, a very simplistic evaluation. In fact, the women, Sylvia and Magdalena, are the ones who control the situation, in a very efficient and subdued fashion. They pretend to be the victims but are actually the opposite. The men are depicted as business-minded personages who believe that they get what they want when they want it in their dealings with women. The truth is that whether they get something or not, the quality and quantity will depend upon the women.
“Green Atom Number Five” is a thorough study of a couple, Roberto and Marta. They are well-characterized before, during, and after the crisis that tears them apart. Roberto, a very successful odontologist, is a man who knows what he wants in life, is sure about his priorities, and dogmatic and pragmatic to the point of thinking that a change in life must start with a change of address. Now that he has moved into his own place, he thinks that everything will be under control. The only disturbance in his apparently peaceful existence in the foreseeable future is the one empty room in the apartment, where he had planned on installing a studio for painting. His fondness for painting, which has been stimulated by Marta, diminishes when she, under the impulse of an angry reaction, tells him that his painting Green...
(The entire section is 547 words.)