The follow-up to Heat and Dust has been a long time coming. And, although a fine novel, it's unlikely to keep [Jhabvala's] reputation at the sky-high level it suddenly achieved eight years ago. The narrative of In Search of Love and Beauty flits achronologically over the lives of a group of Austrian and German émigrés, comfortably resettled in America. They have contrived to get their money out, and have eluded Hitler. But refuge has its penalty in the pointlessness of refugee existence. Bored and stranded, their lives are historical leftovers, without any cultural significance or moment. Jhabvala's narrative is correspondingly inconsequential, observing no linear sequence, central action or climax. The novel, as it were, is not told: it takes place. Its intensest effects are those of charm and pathos….

Jhabvala's touch is too delicate for satire, but there is a pleasant hilarity in the description of the ritual dances performed by Leo's students symbolising 'the harmonious absorption of the Individual into the Universe'. No one, of course, becomes anything in this novel. Nor are the characters absorbed, harmoniously or otherwise, into the fabric of American life. They remain, like their favourite resort, the Old Vienna restaurant, fixed in foreign forms, smart and irrelevant. The novel, after circling aimlessly over thirty years of their aimless lives, concludes with Regi, alone and senile, blowing out the candles on her 84th birthday cake.

As elsewhere, Jhabvala contrives poignant effects out of the post-imperial futility of characters whose elegant élitism has lost any connection with power. But the Austro-German past, and the American present, are only thinly re-created.