Last Updated on May 6, 2015, by eNotes Editorial. Word Count: 496
Karel apek expressed his fascination with the future of the human race in several works, notably in the novels The Absolute at Large (1922; English translation, 1927) and Krakatit (1924), and in the plays R.U.R. and The Insect Play (1923), to mention only a few. He used these futuristic works to examine the possible outcome of various human endeavors but also to warn against miscalculations and evil actions. R.U.R. (subtitled Rossum’s Universal Robots) is perhaps the most exemplary of such works. In addition to its literary value, it introduced the word “robot” (from the Czech robotit, meaning “to drudge”) into the English language.
When apek wrote R.U.R., he had no way of knowing how artificial intelligence or robotics would develop several decades later. In his time, the science of robotics was practically unknown, giving his clairvoyance an added dimension.
For the most part, apek’s vision was in accord with his later works. His Robots are not attached to life and know of no enjoyment; they have no appetite, no bodily pain, no interest in anything, no will of their own, and no passion. They are not creative and never think of anything new. Their sole purpose is to work, and they do not know when to stop. They are not afraid of death because it means nothing to them—they only cease to move. They have no capacity for love or sex, not even among themselves. Most important, they have no true souls, and that differentiates them from humans more than anything else. The most telling reason for their existence is that they are cheap to produce and maintain; one Robot replaces two and a half human workers.
apek was not interested solely in the future of artificial intelligence. As in all of his works, he was concerned with philosophical and moral meanings of human action. He blames the problems brought on by the Robots at the end of the play on...
(The entire section contains 496 words.)
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