Run
Near the beginning of Ann Patchett’s novel Run, Tip and Teddy Doyle, adopted sons of Bernard Doyle, are sitting with their father attending a lecture by civil rights activist Jesse Jackson on the campus of Harvard University. Doyle had named his sons after two well-known Massachusetts politicians, anticipating a career in politics for them. Both sons have come reluctantly to the lecture, out of a sense of obligation to their father. Tip had to interrupt his work at the Museum of Comparative Zoology, where he helps to maintain the large collection of fish. He is fascinated with ichthyology, but his father was disappointed for having “paid more than forty thousand dollars a year to one of the finest universities in the world to give his son the right to peer into glass jars at dead fish.” Teddy has just come from seeing his Uncle Sullivan, a much-admired, elderly priest living in a nursing home. Uncle Sullivan is quite sick, and Teddy would have preferred to stay with him to deal with the many visitors who badger him with requests for intercessory prayers.
Tip is frustrated about the time he has to spend at the lecture. He needs to study for semester exams and to finish his work at the museum. When the lecture finally ends, the father makes a further demand on his time, asking him to attend a reception for Jesse Jackson, but Tip’s resentment boils over into an emotional outburst: “I’m not going to do this . You don’t care about the things I care about. I don’t care about the things you care about.” Distracted by his argument, Tip stumbles over the curb into the path of an oncoming car. At the last second, an African American woman standing nearby pushes Tip out of the way, taking the impact of the car herself. An ambulance is called to take the woman, who is in critical condition with multiple injuries, to a hospital. The woman’s young daughter is left behind at the scene of the accident with the three men of the Doyle family.
Tip has a broken ankle from the accident and is about to be transported to the hospital in a police car with his brother and father. The girl is very upset to be separated from her mother and demands to be taken along. Teddy talks to her and tries to calm her down. She tells Teddy that her name is Kenya, “like the country,” and her mother’s name is Tennessee, “like the state.” Teddy probes Kenya about getting in touch with her father or other relatives, but she insists that she wants to stay with them. Then she tells them “the one thing I’m never supposed to tell”that the woman who saved Tip’s life is actually Tip and Teddy’s birth mother. Kenya’s mother had taken an apartment in a housing development near the Doyles and had discreetly been watching her sons from a distance when they played outdoors and later when they went to school. Tennessee and Kenya had been sitting near the Doyles at the Jackson lecture and afterward were standing close by when the car collision was imminent. It is not just a chance coincidence that Tennessee was in the right place at the right time to save her son from serious injury.
The father is suspicious that Kenya’s story may be a fabrication. A DNA test of Tennessee and his two sons would be needed to verify the maternity claim. Tip and Teddy are shocked to learn that they appear to have a younger sister. At the hospital, Tip gets...
(This entire section contains 1759 words.)
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a cast on his ankle and is released with crutches. Kenya’s mother is in intensive care, scheduled for surgery the next morning. Exhausted, the Doyles take Kenya home with them. However, another surprise is waiting for the Doyles at home. The boys’ older brother, Sullivan, who has been out of touch with the family for some two years, has come home unexpectedly.
Sullivan was a protective, older brother for Tip and Teddy when they were young children, but he became antagonistic toward his father after his mother died of cancer. He has been estranged from the family since causing a scandal some years ago. Most recently he had been living in Africa, delivering HIV medication to hospitals but making money on the side by selling some of it on the black market. When his illegal activity appeared to be on the verge of being discovered, he made a quick exit back to Boston. He arrives just in time to participate in the unfolding events.
When Sullivan is introduced to Kenya, he sees a clear resemblance to Tip and Teddy in her appearance. He is willing to accept the story of Kenya and her mother as genuine. While the others in the Doyle family go to sleep, Sullivan is restless with jet lag and decides to go to the hospital to see the black woman for himself. Tennessee is awaiting surgery, only half-conscious as a result of the pain medications, so Sullivan sits by her bedside. Gradually he is drawn to tell her a traumatic incident from his life. He tells Tennessee about the death of his girlfriend in college for which he had been responsible but had never before admitted to anyone. The scene is like a deathbed confession, but with the roles reversed. He finds great relief in finally being able to admit his guilt: “She had taken his burden for a moment, lifted the thing he had carried with him for so long he hadn’t even understood that he was still holding it.” Readers may find it difficult to accept the almost instantaneous bond of intimacy that develops between Sullivan and Tennessee. Nevertheless, the emotional confession is described by Patchett with compassion and great tenderness.
In the morning, Kenya wants to be taken to the hospital right away, but her mother is in surgery. It is an awkward time for the Doyles as they figure out what to do about Kenya. No one had any idea that Tip and Teddy had a sister or even if that story is to be believed. When Kenya mentions that she loves to go running, Tip volunteers to take her to the Harvard field house for some exercise after making a brief stop at the museum. Kenya is a precocious, delightful child who is fascinated by the thousands of jars filled with fish. As Tip gives her a tour of the collection, he is gratified to hear her express a genuine interest in his work, something that he never got from his brother or father. Later at the field house, Kenya runs with such speed and grace that she soon has an admiring audience of college students. Kenya is overjoyed to have an older brother who can give her entrance to a world where she could never have gone on her own. Tip and Kenya have bonded together in a special way.
After surgery, Tennessee is brought back to her hospital room under heavy sedation. She has a surrealistic vision of being visited there by her closest friend, a young woman who had died some years ago. The friend’s name was Tennessee Alice Moser, and she had a baby daughter named Kenya. In grief after her friend’s funeral, she decided to keep Kenya as her own child. To avoid the costly adoption process, she took her friend’s name and moved to a different neighborhood in Boston. She took a different job using her new name and struggled to make ends meet as a single mother. She showered her love on Kenya, knowing that her own sons, Tip and Teddy, had a good home in which she had no role. She had told Kenya about giving up her sons for adoption and let her assume that they were her brothers. Tennessee dies at the hospital soon after surgery, without ever revealing to Kenya the story of her birth mother.
The final chapter of the novel is a celebration several years later. The Doyle family, now including Kenya, are all attending the graduation ceremony of Tip from medical school. Tip’s classmates are talking about where they plan to go for an internship, but Tip has other plans. He has decided that his career will be in the scientific study of fish, no matter what expectations his father or other people may have for him. His medical training in physiology will help him in his chosen field. Kenya has been fully accepted into the Doyle family since the death of her mother. Her life has been transformed as she has moved from an environment of near poverty into the upper class. She is attending a private, Catholic high school, making a name for herself as an outstanding runner. She imagines that her mother somehow arranged for the car accident that enabled her to gain three brothers and a father.
Each character in Patchett’s novel is portrayed as a unique, memorable personality. The father is a loving but controlling parent to his adopted sons, as shown by some tender incidents from their childhood. Tennessee’s harsh life as a single parent is described sympathetically: working late hours for low pay, living in a low-cost housing development, watching out for the safety of her adopted daughter. Kenya is an obedient, loving, appreciative adolescent. Father Sullivan had been full of energy and confidence as a young priest, but his deteriorating health leads him to deeper questions about the effectiveness of prayer and the meaning of eternal life. Sullivan Doyle is the “black sheep” of the Doyle family, reinstated by the compassion he receives from the mother of his adopted brothers. Significant childhood experiences show how Teddy’s close relationship with Uncle Sullivan and Tip’s longtime fascination with fishes got started. Patchett skillfully uses conversations and events to round out the portraits of the people who make up this extended family.
Some of the coincidences in Run seem rather contrived. For example, just by chance Tennessee had been an employee at Father Sullivan’s nursing home, so the characters already had a connection before the accident. Also, it seems far-fetched that Tennessee could so often observe Tip and Teddy from nearby without herself being noticed. Nevertheless, in this era of many dysfunctional families, it is refreshing to read a positive story of the bonding that can grow among family members, whether they are related by adoption or by birth.
Bibliography
Booklist 103, no. 21 (July 1, 2007): 31.
The Christian Science Monitor, October 9, 2007, p. 13.
The Economist 384 (September 15, 2007): 103.
The New York Times Book Review 157 (September 30, 2007): 7.
The New Yorker 83, no. 29 (October 1, 2007): 98-100.
The Washington Post, September 23, 2007, p. BW15.