Rudyard Kipling Long Fiction Criticism
Rudyard Kipling's journey through long fiction presents a fascinating, albeit uneven, exploration of diverse themes and settings. His novels often bear the marks of his prowess in short story writing, manifesting in episodic structures and an impressive layering of technical detail. While most of his longer narratives falter in character depth and emotional resonance, Kim stands out as a triumphant exception, offering a richly textured portrayal of India and a nuanced spiritual journey.
Exploring The Light That Failed
The Light That Failed has achieved a dubious reputation, often labeled "the book that failed" in critical circles. This novel, dedicated to Kipling's mother, was initially serialized in Lippincott’s Monthly Magazine in January 1891, culminating in a dramatic final form when published by Macmillan and Company. The dissonance between the serialized version's conventional ending and the book's tragic conclusion stirred discomfort among readers and critics, illustrating the challenge of managing audience expectations.
The novel is steeped in autobiographical elements, reflecting Kipling's own experiences and unrequited affections. The story opens with two children, Dick and Maisie, navigating a harsh upbringing under a cruel housekeeper, reminiscent of Kipling's own childhood struggles. As adults, Dick pursues a military career in the Empire's far reaches, while Maisie remains in England, devoted to her art—a pursuit that mirrors Kipling's own artistic endeavors and his personal encounters in the art world.
Kipling's portrayal of Dick's embittered interactions with art dealers parallels his frustrations with unscrupulous publishers in the United States. The narrative's intensity crescendos as Dick's love for Maisie remains unreciprocated, leading to a dramatic denouement on the Sudanese battlefield. Despite its deeply personal undercurrents, The Light That Failed has struggled to captivate contemporary audiences and scholars.
The Naulahka: A Tale of East and West
Written in collaboration with Wolcott Balestier, The Naulahka seeks to juxtapose Eastern and Western cultural dynamics. Set between the fictional Indian state of Rhatore and the American village of Topaz, Colorado, the novel unfolds as a melodramatic and episodic narrative. Balestier infused the Western elements, while Kipling penned the intricacies of the East.
The plot pivots around a prized necklace, the Naulahka, coveted by the ambitious American, Tarvin. His pursuit of this treasure entwines him with Kate, his fiancée, who aids Indian women, and embroils him in the political machinations of Rhatore. However, the novel's characters remain flat, and the narrative borrows heavily from Kipling's earlier work, Letters of Marque, which diminishes its originality.
An American Sojourn: Captains Courageous
Captains Courageous is distinguished as Kipling's sole entirely American-themed work, capturing the essence of Gloucester, Massachusetts—a location Kipling frequently visited with his friend, Dr. John Conland. This novel, like its predecessors, first appeared serially, much to Kipling's dissatisfaction.
The narrative follows Harvey Cheyne, the pampered son of a millionaire, whose life takes a transformative turn after he is rescued by a fishing vessel. Under the stern guidance of the skipper, Disko, Harvey learns discipline and humility, evolving from a spoiled child to a mature young adult. Despite its captivating premise, the speed of Harvey's transformation and the lack of character depth render the novel more a series of illustrative sketches than a cohesive narrative.
Kim: Kipling's Magnum Opus
Among Kipling's novels, Kim emerges as a masterpiece—a richly layered narrative that captures the essence of India and offers a profound spiritual journey. Esteemed by T. S. Eliot and celebrated by Indian scholar Nirad C. Chaudhury, Kim transcends the typical "boy's story" through its spiritual dimension and complex character portrayals.
The plot follows Kim, an Irish orphan with a penchant for adventure, who becomes intertwined with the Red Lama's quest for the River of Healing...
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and the British Indian secret service, "the Great Game." Through his travels, Kim undergoes a journey of self-discovery, bridging cultural divides and achieving personal growth.
Kipling weaves in themes from his earlier works, painting a vivid picture of Indian society and spirituality. Kim's interactions with the Lama are central to the novel, illustrating the guru-disciple relationship and highlighting the Buddhist Middle Way. This relationship underscores the novel's spiritual depth: "Thou hast said there is neither black nor white, why plague me with this talk, Holy One? Let me rub the other foot. It vexes me, I am not a Sahib. I am thy chela, and my head is heavy on my shoulders."
The character development of both Kim and the Lama is notable. Kim's reliance on various mentors and the Lama's spiritual revelations enrich the narrative, offering a textured exploration of identity and belonging. Through Kim's eyes, Kipling relives his cherished Indian years, rendering Kim not just a novel, but a gateway into the heart of a diverse and dynamic India, firmly establishing it as Kipling's crowning achievement.