It is because of Emily's father that she never marries, although she did come from a strongly rooted family not just of the South, but within her community, in the town of Jefferson.

A second force that opposes Miss Emily is the community itself. When Miss Emily's father dies, and she insists that he is still alive, the community has to force Emily after three days to relinquish her father's body, and the funeral takes place quickly thereafter.

When a group of civic leaders comes to her house to collect taxes, Miss Emily gets the upper hand, turning them away with news that the [deceased] Colonel Sartoris had excused her from taxes. It seemed that he had taken pity on this single, rather poor woman, pretending the county owed the family money from a past loan, and…

...remitted Miss Emily’s taxes “in perpetuity”...

Community vs isolation is a strong theme in this story, but while the community is very interested in Miss Emily, and often times is faced with problems that need to be addressed with her, Miss Emily not only remains isolated, but she always seems to get her way, while the members of Jefferson are forced to accommodate her.

1. The town itself is in conflict with Emily.  After the narrator begins with a brief description of Emily's funeral and family background, the first scene with Emily includes a group of the town's aldermen going to see Miss Emily about her unpaid taxes. Other incidents which pit the town against Miss Emily include the complaints about the smell emanating from her house, the town's reluctance to get involved when a young Emily is obviously being stifled by her domineering father, the town's pulling away from Emily the recluse even more when they stop sending their children to her home for lessons, and most importantly, the town meddling in Miss Emily's romantic relations by disapproving of Homer and sending critics to her house to dissuade her from continuing a relationship with him.

2.  Modern trends and policies also conflict with Miss Emily who represents tradition.  Many of the examples of this specific conflict are represented by the town's behavior when it comes to Emily, such as the town wanting Emily to pay taxes when she is used to being respected and having special privileges simply because of her family name.

3. Finally, Emily's relatives are in conflict with her. Although there is only a brief flashback to the "tableau" of Emily's father standing in the doorway to drive away all of Emily's suitors, this scene paints a very somber portrait of Emily's life growing up.  Likewise, Emily's relations have to come into town to convince her to stay away from Homer when she won't listen to the townspeople.

Really, the only person or element that does not seem to be in conflict with Emily Grierson is her servant Tobe.

Miss Emily Grierson is in conflict with her family history, her culture, and time.

• Family history

In the exposition of Faulkner's haunting story, Miss Emily is introduced as a "fallen monument" whose "august name" will join those others in the "cedar-bemused cemetery" who fought for the Old South. Clearly, then, she is burdened with her name and the noblesse oblige attached to it.

As part of this history, Miss Emily has lived under the patriarchy of her father and been both prevented from certain opportunities like marriage, which would offer her freedom from the burden of her family name.

We had long thought of them as a tableau; Miss Emily a slender figure in white in the background, her father a spraddled silhouette in the foreground, his back to her and clutching a horsewhip, the two of them framed by the back-flung from door.

Symbolic of this patriarchal repression, also, is the crayon portrait of Emily's father resting on the fireplace behind Miss Emily when she confronts the aldermen over her taxes, contending that she pays no taxes. For, although her father's allies are now dead, Miss Emily yet lives in this patriarchal past. In fact, when some ladies called upon Miss Emily the day after her father's death, she insisted he was not dead. Afterwards, the narrators comment, "and we knew that with nothing left, she would have to cling to that which had robbed her, as people will."

Furthermore, after Homer Barron leaves town, the narrators remark that "it was to be expected, too." For, again,

that quality of her father which had thwarted her woman's life so many times had been too virulent and too furious to die.

• Her culture

Having lost the opportunity of marriage as a young woman, Miss Emily Grierson finds herself in conflict with her culture in which women are married much earlier than her age, so she settles for Homer Barron, a lower class man and a "Yankee." The townspeople are shocked when they observe their "monument" riding on Sunday in the "yellow-wheeled buggy" (the color yellow often symbolizes corruption). At first, the ladies of town mitigate the significance of Miss Emily's actions, arguing that a real lady would not "forget noblesse oblige--without calling it noblesse oblige."

Miss Emily continues seeing Homer, however, and she holds her head high in defiance as though

she demanded more than ever the recognition of her dignity as the last Grierson; as if it had wanted that touch of earthiness to reaffirm her imperviousness.

Clearly, Miss Emily acts in defiance of her position in this town that clings to much of the traditional culture of the Old South. The townspeople are also shocked by her purchase of arsenic. Rumors spread about her, as people believe she is contemplating suicide. Miss Emily is defeated in her defiance as she withdraws from society, and her front door remains closed for years.

• Time

With the closing of her door, Miss Emily retreats from time. In her effort to stop its progression, however, Miss Emily arrests the departure of Homer in a perverse conflict. Years later, the townspeople enter the Grierson home after Miss Emily's funeral. In the upstairs bedroom, they discover a tarnished silver toiletry set; on the bed there is a decayed skeleton, and upon the second pillow in which there is an indention one long-grey hair rests, evidence of Miss Emily Grierson's "perverse" struggle to stop time.