Discussion Topic

Similes Describing Juliet's Beauty and Romeo's Love in "Romeo and Juliet"

Summary:

In Romeo and Juliet, similes vividly describe characters' emotions and appearances. In Act 3, Benvolio compares the swift duel between Tybalt and Romeo to lightning, highlighting its suddenness. Mercutio uses a simile to tease Benvolio, comparing his head to a quarrel-filled egg. Friar Laurence compares Romeo's intelligence to a careless soldier's exploding gunpowder. Romeo uses a simile to describe Juliet's beauty, likening her to a "rich jewel in an Ethiope's ear," emphasizing her dazzling and rare beauty.

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What phrase in Act 3 of Romeo and Juliet is a simile?

Act Three of Shakespeare's Romeo and Juliet is riddled with similes. One of these similes occurs after the duel between Mercutio, Tybalt, and Romeo, in which Mercutio and Tybalt were both killed. The Prince arrives on the scene after Romeo flees, and Benvolio is left to attempt to verbally clean up the mess that has been made.

Benvolio explains to the Prince that Romeo had tried to end the fight between Tybalt and Mercutio but was unsuccessful in doing so. After Tybalt killed Mercutio, Romeo attacked Tybalt in a rage. Benvolio describes this duel as follows:

But by and by comes back to Romeo,
Who had but newly entertain'd revenge,
And to 't they go like lightening, for, ere I
Could draw to part them, was stout Tybalt slain.

I have placed the simile in bold typeface. Benvolio is figuratively comparing the beginning of Tybalt and Romeo's...

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fighting to lightning in order to articulate how sudden it was. There was literally nothing Benvolio could have done to intervene given how quickly the situation escalated. 

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Another simile in Act Three, is when Mercutio, Benvolio, Page and the servants enter the public place in the street and Mercutio is fooling around with Benvolio.  Mercutio tells him, "Thy head is as full of quarrels as an egg is full of meat; and yet thy head hath been beaten as addle as an egg for quarreling." Mercutio is teasing Benvolio about his eagerness to fight when Benvolio is not a fighter and very timid. I feel Mercutio is really talking about himself because he can be a hot-head if pushed far enough. 

Source:  The Literature and Language Book by McDougal Littell

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Here's one, spoken by the Friar,  in 3.3.130-134, in which he compares Romeo's intelligence to a careless solider whose gun powder explodes in his face, because he is either too inexperienced or negligent to treat it properly:

Thy wit, that ornament to shape and love,
Misshapen in the conduct of them both,
Like powder in a skitless soldier's flask,
Is set afire by thine own ignorance,

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Can you find a simile in act 3 of Romeo and Juliet?

Here are a couple examples of similes from Act III of Romeo and Juliet.  In the first, Benvolio is explaining to the Prince in scene i how both Mercutio and Tybalt came to be killed.  As Benvolio explains, Romeo first tried to break up the fight between Tybalt and Mercutio, but when Romeo realized that Tybalt had killed Mercutio, he took up his sword:

But by and by comes back to Romeo,
Who had but newly entertain'd revenge,
And to 't they go like lightning, for, ere I
Could draw to part them, was stout Tybalt slain.

Benvolio compares the quickness of their fight's commencement and duration to lightning, which comes suddenly and unexpectedly, and just as quickly is gone.  Before Benvolio could take action to stop the fight, it was over, and Tybalt was dead.

The next simile is seen in Juliet's speech at the beginning of scene ii, as she waits eagerly for Romeo to arrive.  At this point, she has not yet heard the news of Tybalt's and Mercutio's deaths or of Romeo's banishment.  All she can think of is spending the night with Romeo, as she says:

O, I have bought the mansion of a love,
But not possess'd it, and, though I am sold,
Not yet enjoy'd: so tedious is this dayAs is the night before some festivalTo an impatient child that hath new robesAnd may not wear them.

She is looking forward to being able to consummate her love with Romeo, and she compares the long, tedious hours of her waiting for him to the impatient waiting of a child anxious to wear new robes to a festival. 

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What simile does Romeo use to describe Juliet's beauty in Romeo and Juliet?

When Romeo first arrives at the Capulet party in act 1, the sight of Juliet captivates him immediately, and he provides these lines:

O, she doth teach the torches to burn bright
It seems she hangs upon the cheek of night
As a rich jewel in an Ethiop's ear (I.v.42–44).

The full simile extends through the last two lines of this quote. Juliet's beauty is so stunning that it dazzles. The imagery here relies on a person of dark complexion (an Ethiopian) in the night. This image of darkness upon darkness is broken by a "rich jewel," which would visually stand out by contrast. Juliet's beauty is the same. She stands out and dazzles visually, and his eyes are immediately drawn to her. She is visually stunning. It is also a rare beauty, a rich jewel that is not commonly found. Romeo immediately follows this simile by also providing a metaphor, comparing Juliet to a "snowy dove" in a flock of crows.

Romeo's language makes it clear that he is utterly captivated by Juliet's rare beauty and considers all others "crows" by comparison.

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A simile is a comparison of two unlike things using the words like or as. The comparison tends to enhance the qualities of one of those things. Immediately after seeing Juliet at Capulet's party in Act I, Scene 5, Romeo compares her beauty (it is definitely her looks he is speaking of here because he has yet to meet her) to a precious jewel:

It seems she hangs upon the cheek of night
As a rich jewel in an Ethiop’s ear
This comparison needs a bit of explanation because one might not understand what Romeo is speaking of. It was probably common in Renaissance Italy for men from Ethiopia to act as traders and to visit Italian cities. Romeo may have seen just such a man, or maybe read about them. These Ethiopians were often wealthy and would have adorned themselves in elaborate jewelry such as diamonds, emeralds or rubies.
Later, in Act II, Scene 2, Romeo once again uses a simile to describe Juliet. Here he may also be speaking of her personality and not just her beauty because he has spoken to her briefly in the waning moments of Capulet's party. He compares her to an angel coming down from heaven as a messenger to bring happiness and light to Romeo's life (which, by his own admittance, had been darkened by his unrequited love for Rosaline):
O, speak again, bright angel, for thou art
As glorious to this night, being o’er my head,
As is a wingèd messenger of heaven
This comparison to a "bright angel" is very in much in keeping with Shakespeare's recurring motif of light and dark which pervades the tragedy.
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