The story of Romeo and Juliet takes place in a highly religious Catholic society. This is integral to the action in at least three ways. First, Friar Laurence occupies a central and unique position in the play. His vocation places him outside the quarrel between the Capulets and the Montagues, but not above it, as the Prince is. Instead, he is trusted by both sides, able to aid and shelter both the lovers. Juliet is able to escape from the watchful eyes of her parents and get married by pretending that she is going to confess her sins.
The second point is one which even the nurse fails to appreciate. Once Romeo and Juliet are married, they are inseparably joined in the sight of God. Juliet's parents do not know this when they tell her to marry Paris, but the nurse does know and still tells her that this second match "exceeds your first." This is not merely insensitive—from a religious perspective, it is nonsensical. Juliet is married. She cannot marry again. Friar Laurence is well aware of this, which is one reason why he goes to such desperate measures to avoid having to explain why it would be quite impossible for him to marry Juliet and Paris.
Finally, although this is not explicitly explored in the text, the eagerness with which Romeo and Juliet hurry to their deaths suggests at least the possibility that they will meet again after death. Juliet points out to Friar Laurence that "God join'd my heart and Romeo's, thou our hands," and this union is supposed to be eternal, with death being only a temporary interruption.
While Shakespeare wrote in the Elizabethan era, Romeo and Juliet
was set in and referred to history that took place in the early 14th
century, the Middle Ages. During the Middle Ages, the
Roman Catholic Church dominated all of Europe and acted as a
government. The Church imposed laws and taxes and even owned its own land
("Middle Ages
Religion"). The religious presence in Romeo and Juliet reflects
this domination of the Church. Not only are there scenes portraying some of the
characters' commitment to the Church, the play especially shows the
lawless disregard for the Church's ordinances, which is one
factor that leads to the tragic deaths in the play.
One way in which the characters of the play disregard
the Church's rule is through the ongoing feud between
the Capulets and Montagues. Specifically, this feud instigated street
brawls and duels, like the one we see initiated by Tybalt. While
dueling was a very common and proper form of revenge, the Catholic
Church opposed dueling because they saw it as a means of testing God
(Catholic Encyclopedia:
"Duel"). Many popes from early on ruled against dueling, even the popes of
the 13th and 14th centuries ("Duel"). Hence the fighting and dueling we see
taking place in the play also broke the ordinance's of the Church.
Prince Escalus's own newly passed decree reflects the
viewpoint of the Church, as we see in his lines, "If ever you disturb our
streets again, / Your lives shall pay the forfeit of the peace" (I.i.92-93).
Hence, reasons why the Church is an important element in
Romeo and Juliet is, first, because the play accurately
depicts the society and culture of the time, and, second, because
Shakespeare uses the Church to make a moral statement about
violence, feuding, and dueling.
It's hard to say exactly how religion in the play would have been portrayed had
it been set in Wales today if one is not familiar with that
location's culture. However, one thing which can be known is that the dominant
religion in that area is now the Anglican Church, which broke
away from the Catholic Church. There are not many differences between the
Catholic and Anglican churches in terms of things like creed or liturgy as both
started from the Eastern Orthodox church ("What
is the Difference"). The greatest differences are in terms of who has
central power. Therefore, if the play was written to still refer to religion
and use religion as a moral standpoint, then it would still be very
much the same. However, a legitimate question is whether or
not religion or morals from a religious standpoint
would still be important to the citizens of Wales today. The
2011 Census indicated 32% of Welsh citizens do not associate
themselves with any religion, while only 18.5% do ("2011
Census"). Therefore, if the play were written to address the general Welsh
population, it's very unlikely that it would contain any religious
references at all.
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References