Robert Pinsky's poetry often vibrantly employs contrasting images, as seen in "The Figured Wheel." The poem juxtaposes vivid imagery to explore themes of time and continuity, drawing the reader into a rich tapestry woven with visual and emotional contrasts. This technique highlights the dynamic interplay between the ephemeral and the eternal, inviting reflection on the nature of existence.

In "The Figured Wheel," Pinsky also demonstrates a deft use of allusion. By referencing historical and cultural touchstones, he layers his poetry with depth and resonance. These allusions serve not only to enrich the text but also to engage the reader in a dialogue across time, connecting personal and collective experiences.

"At Pleasure Bay" presents the image of the catbird, a seemingly minor detail that resonates with significance. The catbird embodies the convergence of the natural and human worlds, its presence suggesting a harmony or discord that mirrors the broader themes of the poem. This image serves as a poignant touchstone within the work, reflecting Pinsky's skill in imbuing the ordinary with profound meaning.

The historical contexts of Krakow or the Triangle Waist Factory are crucial to understanding Pinsky's poems "The Unseen" and "Shirt." These settings are not mere backdrops; they provide essential frameworks for exploring themes of suffering, resilience, and human dignity. By anchoring his poetry in historical reality, Pinsky invites readers to confront the past's moral complexities and their reverberations in the present.

During his tenure as Poet Laureate, Pinsky initiated the Favorite Poem Project, which exemplifies his commitment to themes of humanity. This project, which invited individuals to share poems that resonated with them personally, underscores the communal and personal connections that poetry can forge. It reflects Pinsky's belief in the transformative power of poetry to articulate shared human experiences, bridging individual stories with universal truths.