Biography
Robert Pinsky stands as a revered poet and critic, whose origins trace back to Long Branch, New Jersey. Born to Milford Pinsky, an optician, and Sylvia, his roots are deeply embedded in the history of Jewish immigrants from Eastern Europe. The unique environment of Long Branch, described by Pinsky as a "decayed resort town," left an indelible mark on his creative psyche, pushing his imagination in "extravagant directions," as he reveals in his autobiographical essay, "Salt Water."
Formative Years and Musical Aspirations
Pinsky's early years were filled with joy, yet his adolescence was marked by a sense of restlessness. His rebellious streak led to suspension from school due to cutting classes and insubordination. During this time, he dabbled in music, playing the tenor saxophone, and dreamt of stardom as a jazz musician and composer, which served as an outlet for his yearning for freedom and artistic expression.
The Turn Towards Poetry
As Pinsky came to terms with his musical limitations, his aspirations pivoted towards poetry. His journey as a poet took a significant leap during graduate school at Stanford University, where he presented his poems to Yvor Winters, a prominent poet and critic. Despite Winters’ initial criticism, Pinsky pursued a directed reading course under his guidance, delving into the various periods of English poetry—a period Pinsky describes as “a kind of birth.”
The Emergence of a Signature Style
Pinsky’s debut poetry collection, Sadness and Happiness, features the seventeen-page poem “Essay on Psychiatrists,” which showcases his characteristic discursive style. His use of lengthy lines and expansive units reflects his ambition to embrace all facets of his personality, ranging from the comedic to the visionary, within his poetry.
A Scholarly and Personal Epic
Pinsky’s subsequent collection, An Explanation of America, is largely dominated by its titular poem. Critics have drawn parallels between this work's extensive blend of mundane and historical narratives and William Carlos Williams’ Paterson. The poem, addressed to Pinsky’s eldest daughter, mirrors the immigrant experience in America, as described by critic Willard Spiegelman, who highlights its blend of authority and "great tenderness."
International Influence and Language
In 1981, Pinsky embarked on a cultural tour through Eastern Europe, organized by the U.S. State Department. During this journey, he engaged with local writers, scholars, and students, exchanging insights on American poetry. Pinsky asserts that his profound appreciation for language transcends mere familial heritage but is instead an intrinsic part of his identity.
Integrating the Personal and the Political
Pinsky’s work is renowned for its ability to weave personal anecdotes with broader political, social, and philosophical themes. His third collection, History of My Heart, exemplifies this intertwining, featuring poems inspired by personal experiences, such as his mother witnessing Fats Waller play at Macy’s and his visit to a concentration camp site.
Moral Reflections and Literary Craft
The poem “Visions of Daniel” in Pinsky’s fourth collection, The Want Bone, reflects the challenges faced by modern poets through the lens of the biblical Daniel’s trials. Published as Pinsky neared fifty, this collection explores the moral complexities of the modern era and demonstrates Pinsky’s adeptness at balancing creative invention with formal structure.
Exploring New Forms and Traditional Roots
In 1984, Pinsky ventured into new artistic territory with his computerized novel, Mindwheel, released as a series of formatted disks. Lauded by Newsweek as a pioneering "new art form," Pinsky likened its narrative complexity to Dante’s journey in the Divine Comedy. A decade later, Pinsky’s translation of The Inferno of Dante earned him a Los Angeles Times Book Prize, underscoring his prowess in bridging tradition with innovation.
Academic and Poetic Leadership
Pinsky’s career in academia has seen him impart knowledge at prestigious institutions such as the University of Chicago, Wellesley College, the University of California at Berkeley, and Boston University. His tenure as the United States Poet Laureate from 1997 to 2000 further cemented his legacy as a leading figure in American poetry, with his work continuing to inspire and challenge readers worldwide.
Criticism by Robert Pinsky
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The Prose of an Irish Poet
Seamus Heaney Criticism
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Field Work
Seamus Heaney Criticism
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A review of Seeing Things
Seamus Heaney Criticism
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Elizabeth Bishop, 1911–1979
Elizabeth Bishop Criticism
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Elizabeth Bishop, 1911–1979
Elizabeth Bishop Criticism
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Geographer of the Self
Elizabeth Bishop Criticism
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The Poetry of J. V. Cunningham
J. V. Cunningham Criticism
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More of the Story
Mark Strand Criticism
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Thom Gunn
Thom Gunn Criticism
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Dante's Canto XXV: Among the Thieves, A Note and a Translation
Robert Pinsky Criticism
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American Poetry in American Life
Robert Pinsky Criticism
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Responsibilities of the Poet
Robert Pinsky Criticism
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Out of History
Adam Zagajewski Criticism
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Robert Pinsky
Cynthia Macdonald Criticism
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