Last Updated on May 8, 2015, by eNotes Editorial. Word Count: 459
The play opens in the parlor of Commendatore Agazzi. Agazzi’s wife Amalia, their daughter Dina, and Amalia’s brother Laudisi are arguing about an affront the ladies have suffered from Signora Frola, a newcomer to the town who refused to see them when they called. On a second visit, Ponza, her...
(The entire section contains 459 words.)
Unlock This Study Guide Now
Start your 48-hour free trial to unlock this Right You Are, If You Think You Are study guide. You'll get access to all of the Right You Are, If You Think You Are content, as well as access to more than 30,000 additional guides and more than 350,000 Homework Help questions answered by our experts.
- Act Summaries
- Critical Essays
- Teaching Guide
The play opens in the parlor of Commendatore Agazzi. Agazzi’s wife Amalia, their daughter Dina, and Amalia’s brother Laudisi are arguing about an affront the ladies have suffered from Signora Frola, a newcomer to the town who refused to see them when they called. On a second visit, Ponza, her sonin- law, coolly answered the door and again frustrated their visit. To top it off, the town is curious about Ponza’s wife, because she never goes out and never visits her mother, although Ponza does daily. Ladisi accuses the women of nosiness, and is incensed that they intend to have Signor Agazzi complain to Ponza’s boss, the Prefect, about his behavior. While they debate whether Ponza has actually done anything wrong, the butler announces visitors. Three town gossips, Sirelli, his wife, and Signora Cini, join in the fray, also eager to know the truth about the newcomers. Laudisi finds their obsession laughable, since as he demonstrates, he himself is ‘‘a different person for each of [them].’’ Signora Sirelli calls his pessimism ‘‘dreadful.’’ The new gossips mention that Ponza and company’s village was destroyed by an earthquake recently, which may explain why they all dress in black. Agazzi arrives to announce that he has arranged a visit from Signora Frola herself, and soon thereafter, the old lady is announced.
Signora Frola, a sweet, sad, older lady, apologizes for her negligence of her ‘‘social duties,’’ defends her strange family relations, and tells of having lost all of her relatives in the village earthquake. The group pursues her with questions, and they worm out of her that Ponza loves her daughter so jealously that he insists on their communicating only through him. Despite this, she considers him a loving son-in-law. After she leaves, the group condemns Ponza for his cruelty. Now, Ponza himself arrives, and is coldly received. But he throws everyone off with a complex explanation that his motherin- law is insane, that her daughter is really dead, that his present wife is his second wife, although Signora Frola thinks she is her daughter. Ponza keeps them separated to protect his new wife. Now Ponza’s story is accepted.
They are processing new attitudes when the butler announces another visitor: Signora Frola again. After mildly chastising them for interfering with her family, she reveals that it is not she, but Ponza who is mad, with delusions that his wife had died. Signora Frola claims that the daughter actually survived, but to go along with Ponza’s delusions, she remarried him. Signora Frola insists that Ponza keeps her locked up out of fear of losing her. For herself, Signora Frola feigns madness to sustain Ponza’s delusion. The curtains falls with Laudisi laughing at the stunned busybodies.