Wet and Windy
In a newly written proem for The Rocky Horror Picture Show, the American Gothic farm couple stand by the door of a country church to tell us that the movie is groovy, but literate. And when Brad and Janet … drive off to their rendezvous with worse-than-death, Nixon resigns, totally ignored, over the car radio….
The hero's camp ineptitude is amusing at first: 'We'll just play along and pull out our aces when the time comes,' he soothes, as he and Janet are brutally stripped by divers bizarre aliens, while [Frank-N-Furter] slithers and lisps 'What charming underclothes' as if praising hybrid tea roses. But it's all cumulatively unendearing, the pansexual lust-rock and choreography too like a sustained bombardment with heavy marshmallow, and the innumerable references to Fay Wray pass from whimsy to obsession…. [The] plot is decerebrate, and altogether the film wriggles between too many stools: you can't please rockers, camp-followers, and movie buffs all at once. It's entertaining, just, but downhill all the way from the splendid opening, gigantic lips on a black screen mouthing the title song….
Eric Korn, "Wet and Windy," in New Statesman (© 1975 The Statesman & Nation Publishing Co. Ltd.), Vol. 90, No. 2318, August 22, 1975, p. 231.∗
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'The Rocky Horror Picture Show'
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