Revenge Tragedy

Revenge Tragedy Criticism

• Introduction
• Representative Works
• Criticism: Overviews
  • The Spanish Tragedy and the Ur-Hamlet
  • History and Tragedy: Italianate Tragedy of Intrigue
  • Revenge on the English Stage, 1562-1607
• Criticism: Elizabethan Attitudes Toward Revenge
  • John Marston's Fantastical Plays: Antonio and Mellida and Antonio's Revenge
  • George Chapman's Stoic-Christian Revenger
  • Revenge and Revenge Tragedy in Renaissance England
  • The Revenge Experience as Tragedy
  • Masques and Murderers: Dramatic Method and Ideology in Revenge Tragedy and the Court Masque
• Criticism: The Morality Of Revenge
  • The White Devil and The Duchess of Malfi
  • The Worldly Stoicism of George Chapman's The Revenge of Bussy D'Ambois and The Tragedy of Chabot, Admiral of France.
  • Antonio's Revenge: Marston's Play on Revenge Plays
• Criticism: Reminders And Remembrance
  • Andrea, Andrugio, and King Hamlet: The Ghost as Spirit of Revenge
  • Shakespeare, Revenge Tragedy, and the Ideology of the Memento Mori
  • ‘Remember Me!’: Horestes, Hieronimo, and Hamlet
• Further Reading