Sherman Alexie’s first novel, Reservation Blues, was published before his thirtieth birthday and after the striking success of The Business of Fancydancing (1992), a collection of poems and stories published by a small press when he was twenty-six. By the time his novel was being reviewed, nearly eight thousand copies of The Business of Fancydancing were in print, along with two additional collections of poetry, Old Shirts and New Skins and First Indian on the Moon, and a heralded book of short stories, The Lone Ranger and Tonto Fistfight in Heaven, all published in 1993.
In his novel Alexie reasserts an equation that he formed in “Imagining the Reservation,” from The Lone Ranger and Tonto Fistfight in Heaven: “Survival = Anger ’ Imagination. Imagination is the only weapon on the reservation.” Reservation Blues is arguably the most imaginative of his works to date, blending, among other things, the Faust myth with life on the “rez” and the dream of making it big in the music world. Alexie has performed in his own blues band.
The novel is haunted by the bad memories (the essence of the blues) and by several characters’ nightmares, including Junior Polatkin, Victor, and Thomas Builds-the-Fire, all of whom are familiar from other stories and poems by Alexie. The role of the deity in the novel is played by Big Mom, who lives atop a mountain on the reservation...
(The entire section is 460 words.)