Themes and Meanings
Tennessee Williams is said to have used his short stories as sketch pads for his plays. Certainly, in the case of “The Resemblance Between a Violin Case and a Coffin,” the situation is reversed; it is the story in the Williams canon most closely related to The Glass Menagerie (1944). The story is autobiographical in all of its details, although the time sequence and locales are slightly distorted.
Williams’s own sister Rose was the very essence of Tom’s sister in this story, a beautiful but wretchedly insecure adolescent who grew into a neurotic and, finally, psychotic woman. Rose eventually had to be institutionalized and was lobotomized, after which she required custodial care lasting all of Williams’s lifetime. In actuality, Rose played the violin, not the piano, as the sister in the story did; in The Glass Menagerie, Rose fantasized about her collection of glass animals, the only things with which she felt safe and somewhat secure.
Williams constantly explored the question of what inroads the real world makes on the psyches of sensitive people. The Blanche DuBois-Stanley Kowalski relationship in A Streetcar Named Desire (1947) centers on this same consideration. Blanche is the typical idealized southern woman who, like the women in Williams’s own family, has retained the gentility of the South’s vanished glory but has fallen on hard times. Stanley Kowalski represents the modern industrial age that...
(The entire section is 596 words.)