Ralph Ellison Ellison, Ralph (Vol. 114)

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Introduction

(Contemporary Literary Criticism)

Ralph Ellison 1914–1994

(Full name Ralph Waldo Ellison) American novelist, essayist, short story writer, critic, and editor.

The following entry presents criticism on Ellison's works through 1997. For further information on his life and works, see CLC, Volumes 1, 3, 11, 54, and 86.

Ellison is considered among the most influential and accomplished contemporary American authors for his highly acclaimed novel Invisible Man (1952). Honored with the National Book Award for fiction, Invisible Man is regarded as a masterpiece of twentieth-century American fiction for its complex treatment of racial repression and betrayal. Shifting between naturalism, expressionism, and surrealism, Ellison combines concerns of European and African-American literature to chronicle the quest of an unnamed black youth to discover his identity within a deluding, hostile world. Although critics have faulted Ellison's style as occasionally excessive, Invisible Man has consistently garnered accolades for its poetic, ambiguous form, sustained blend of tragedy and comedy, and complex symbolism and characterizations.

Biographical Information

Born in Oklahoma City, Oklahoma, Ellison was raised in a cultural atmosphere that encouraged self-fulfillment. After studying music from 1933 to 1936 at Tuskegee Institute, a college founded by Booker T. Washington to promote black scholarship, Ellison traveled to New York City, where he met Richard Wright and became involved in the Federal Writers' Project. Encouraged to write a book review for New Challenge, a publication edited by Wright, Ellison began composing essays and stories that focus on the strength of the human spirit and the necessity for racial pride. Two of his most celebrated early short stories, "Flying Home" and "King of the Bingo Game," foreshadow Invisible Man in their portrayal of alienated young protagonists who seek social recognition. Although he originally envisioned writing a war novel, Ellison instead began work on Invisible Man following his honorable discharge from the United States Merchant Marines in 1945. A meticulous craftsman, Ellison was working on his long-awaited second novel at the time of his death in 1994.

Major Works

Invisible Man chronicles an unnamed black youth's quest for self-identity in a hostile world. Narrating his story from an underground cell, the anonymous protagonist describes his experiences as a student in the South, his travels in Harlem following his undeserved expulsion from college, his work with a political organization named the Brotherhood, and his participation in the Harlem race riots of the 1940s; he explains in the prologue that he is involuntarily invisible—and has thus gone underground—because society sees him only in terms of racial stereotypes. Additionally known as an essayist and nonfiction writer, Ellison collected twenty-two years of reviews, criticism, and interviews concerning such subjects as art, music, literature, and the influence of the black experience on American culture in Shadow and Act (1964). This volume is often considered autobiographical in intent and is noted for its lucidity and the insights it provides into Invisible Man. Going to the Territory (1986), which contains speeches, reviews, and interviews written since 1957, echoes many of the concerns of Shadow and Act. Making use of ironic humor in the manner of Invisible Man, Ellison here reflected on and paid tribute to such personal influences and creative mentors as Richard Wright and Duke Ellington. Two collections of Ellison's works have been published posthumously, The Collected Essays of Ralph Ellison (1996) and Flying Home and Other Stories (1997). The Collected Essays of Ralph Ellison contains twenty previously unpublished essays, as well as all of the essays published in Going to the Territory and Shadow and Act. Flying Home and Other Stories is comprised of thirteen short stories written between 1937 and 1954, and includes such stories as "A Party Down at the Square," which relates the story of the lynching and...

(The entire section is 39,602 words.)