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Why does Bernard Shaw leave the ending of Pygmalion ambiguous?

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George Bernard Shaw leaves the ending of Pygmalion ambiguous to provoke thought and discussion among the audience, challenging their expectations of romantic resolutions typical in such narratives. This ambiguity serves several purposes:

  1. Challenge Romantic Conventions: Shaw was known for his critical views on romantic comedies. By leaving the ending open, he defies the traditional romantic conclusion where the main characters, Eliza Doolittle and Professor Henry Higgins, end up together. Instead, he leaves their future relationship undefined, which forces the audience to question the nature of their interactions and the societal expectations of marriage and romance.

  2. Focus on Independence: Throughout the play, Eliza undergoes a significant transformation, gaining independence and self-awareness. The ambiguous ending emphasizes her autonomy and ability to choose her own path, rather than being tied to a predictable romantic outcome. It highlights her development from a flower girl into a self-assured individual who can decide her own future.

  3. Highlight Social Themes: Shaw uses the play to address themes like social class and identity. By leaving the ending unresolved, he underscores the complexity of these themes, suggesting that personal transformation and societal change are ongoing processes without neat conclusions.

  4. Encourage Audience Reflection: The ambiguous ending invites the audience to reflect on the characters' journeys and the societal norms depicted in the play. It encourages viewers to consider the implications of Eliza's transformation and the dynamics between her and Higgins beyond the confines of a traditional storyline.

In his own commentary on the play, Shaw explicitly stated that he did not intend for Eliza and Higgins to end up together romantically, further reinforcing the idea that the ambiguity was a deliberate choice to subvert expectations and provoke thought.

Expert Answers

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The generated response is correct and thorough in its explanation of why George Bernard Shaw left the ending of Pygmalion ambiguous. The author was indeed challenging romantic conventions, focusing on independence, highlighting social themes, and encouraging audience reflection. I would like to zoom in on the last of these reasons.

As audience members, we tend to have certain expectations about the endings of plays, but modern writers like Shaw often upend our expectations. This reflects real life, which hardly ever fully meets our expectations, but it also encourages us to rethink our ideas and to put ourselves in the characters’ positions.

Many audience members would like to have seen Eliza and Higgins become romantically involved and live happily ever after, but Shaw deliberately denies us that satisfaction. He wants us to think about why that is. We might, for instance, reflect on the changes in Eliza or Higgins’ character traits. We might look back on our own relationships, successful or not, in comparison. We might even consider why it is that we so much desire a romantic happy ending and how the lack of that makes us feel. All of this reflection, as difficult as it may be, is part of Shaw’s reason for leaving the ending of his play ambiguous.

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