Characters
Another Us
Another Us, later indicated as Young Man and The Grass Chewer, lies on his back
chewing a piece of grass. He tells the others that he is not concerned with the
White Devils, stating that "when I get ready to go up that hill—I'm going!" But
he promptly rolls over and goes to sleep, indicating his apathetic attitude
toward the idea of putting any effort into fighting for racial equality.
Another Young Us
Like the first Young Us, Another Young Us argues with the Old Lady that working
hard does not accomplish anything in terms of improving the socioeconomic
status of the Us's.
Average
Average argues that what's needed to improve the status of the Us's is "the
right leaders." He is critical of the idea of holding a meeting to talk about
what can be done, asserting that talking gets them nowhere. Average also
expresses hopelessness about the Us's ever making it up the hill. Average
represents an average attitude of complacency about the status of the Us's. He
tells the other Us's that they "better stay safe and sound" where they are,
because at least they have food and shelter. The average person, this character
indicates, would rather accept what he has than take the risk of fighting for
greater equality.
Cornerstone
Cornerstone argues that the problem is not a lack of good leaders to stove for
greater equality but the lack of unity among Us's, which makes the leaders'
work ineffective. She points out that holding a meeting is important because
talking is better than not talking. When her son Finest Blood volunteers to
sacrifice his blood to the conjurer, Cornerstone volunteers to sacrifice her
own blood instead but is persuaded not to. The Old Man eventually convinces her
that it is important for Finest Blood to confront the White Devils. Cornerstone
represents the cornerstone of her community, supporting others in their efforts
to work toward equality for the Us's and yet remaining protective of her son
and daughter.
First Young Us
Young Us, later referred to as First Young Us, argues with the Old Lady that
there's no point in working hard all one's life if it "doesn't get you
anywhere.'' He compares a life of labor to "boring around in the same hole like
a worm,'' which only results in "making the hole bigger to stay in." A Young Us
represents the viewpoint that simply laboring away at the type of menial job
available to the African Americans will not accomplish anything in terms of
improving the socioeconomic status of the race. The Young Us later argues with
the Old Us that he should not spend so much time talking to God to ask for His
help but should give God a chance to talk to him. The Young Us is later full of
skepticism when the Old Man tries conjuring to help the Us's.
The Grass ChewerSee Another Us
The Man of the Gold BagsSee The Newcomer
The Middle-Aged WomanSee Cornerstone
The Newcomer
The Newcomer, described as "a square-set middle-aged Us," walks up to the group
of Us's carrying a heavy bag of gold, which he drops to the ground. He explains
that, even though he has money, it doesn't get him anywhere, because the White
Devils refuse to sell him any land or property on the hill. His character
represents the effects of racial prejudice that prevents even financially
successful African Americans from buying homes or other property in desirable
locations.
An Old Lady
The Old Lady laments that she will never live to see the purple flower....
(This entire section contains 1412 words.)
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She insists that"something's got to be done" about the White Devils, but she is convinced that "we ain't never going to make that hill'' The Old Lady represents an attitude of defeatism, because she has spent her whole life working like a slave for white people and has lost hope of ever attaining racial equality.
An Old Man
The Old Man arrives beating a drum, which gets the attention of all of the
Us's. After an Old Woman states that she has had a dream of a White Devil
chopped in pieces, he says that "it's tune " The Old Man asks for an iron pot,
which he uses for conjuring. First he calls upon all of the Old Us's and all of
the ancestors of the Us's. Then he asks for a handful of dust to put in the
pot. He then adds the bundle of books and the bag of gold. Finally the Old Man
requests red blood for his mixture. He explains to the others that he is doing
what God has told him to do for God to "shape a new man.'' The Old Man advises
Finest Blood on the best way to confront the White Devils.
Sundry White Devils
The Sundry White Devils occupy the lower level of the stage, which is divided
from the upper level by a thin board. They have no dialogue but silently mimic
the main action, which takes place on the upper level. They are described as
"artful little things with soft wide eyes such as you would expect to find in
an angel " They have "soft hair that flops around then- horns" and "their horns
glow red all the time—now with blood—now with eternal fire-now with deceit—now
with unholy desire." They "have bones tied carefully across their tails to make
them seem less like tails and more like mere decorations." The White Devils are
"artful little things full of artful movements and artful tricks." They dance
about,"sometimes as if they were men'' and "sometimes as if they were snakes."
The White Devils live on the hill and "try every trick, known or unknown, to
keep the Us's from getting to the hill." The White Devils represent, at an
allegorical level, white people who oppress others. That they live on the hill
represents their socioeconomic privilege over African Americans, a privilege
that they "try every trick" to keep for themselves. They are described as
"artful" to imply that racism is imposed upon people of color through various
forms of trickery and deceit. The White Devils sometimes behave like men"with
dignity'' and sometimes like snakes, indicating that white people sometimes
behave humanely toward African Americans but at other times behave evilly,
indicated by their association with snakes, a traditional symbol of evil.
Young Girl—Sweet
Young Girl—Sweet is described as "a medium light brown girl, beautiful as a
browned peach '' Sweet is sexually harassed by a White Devil, who hides in the
bushes and pinches her when she wanes by. This incident is an allegorical
reference to the history of rape and sexual abuse of African-American women,
particularly in slavery, by white men such as slave masters.
Young Man
Young Man makes his way to the center of the crowd of Us's and throws down a
bundle of books he has been carrying, claiming that they are "no good'" He
explains that "there isn't anything in one of these books that tells Black Us
how to get around White Devils," because, he explains, the White Devils wrote
the books. This Young Man represents the efforts of African Americans to
improve their socioeconomic status through education. The implication here is
that education is ineffective because the educational system is dominated by
white people and simply reinforces white dominance over African Americans.
The Young Man—Finest Blood
The Young Man—Finest Blood is described as "a slender, tall, bronzy brown youth
who walks with his head high.'' As he walks, "he touches the ground with his
feet as if it were a velvet rug and not sunbaked, jagged rocks." After his
sister, Sweet, reports that she has been pinched by a White Devil hiding in the
bushes, Finest Blood immediately picks up a rock and starts after the White
Devil, but the others discourage him from exacting a violent revenge. Later,
when the Old Man says that he needs "red blood" for his conjuring potion,
Finest Blood immediately volunteers his own blood As the play ends, Finest
Blood goes off to confront the White Devils according to the Old Man's advice.
The closing lines of the play are those of Finest Blood, heard from offstage,
"his voice lifted, young, sweet, brave and strong." Finest Blood represents the
"New Man" who possesses all of the finest qualities needed to effectively fight
for racial equality.