Characters Discussed

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Elyot Chase

Elyot Chase, a handsome, thirtyish man. When the play begins, he is honeymooning at Deauville, France, with his second wife. Five years earlier, he had divorced Amanda, to whom he had been married for three tumultuous years, and then traveled around the world. When he sees Amanda again, he realizes that she is his true love. Together, they flee to Paris. Despite their bickering and fisticuffs, they remain reunited. Elyot, first performed by the playwright himself, represents the witty, irreverent, sophisticated Englishman that the playwright admired and saw himself as exemplifying.

Amanda Prynne

Amanda Prynne, Elyot’s first wife, newly married to Victor Prynne. She, too, is honeymooning at Deauville as the play opens. She is the most vivacious character in the work. She is not only beautiful but also spirited, independent, and unconventional—a fit partner for Elyot.

Sibyl Chase

Sibyl Chase, Elyot’s blond, attractive, twenty-three-year-old bride. Conventional, unimaginative, and innocent, she is Amanda’s antithesis and suggests the playwright’s dim view of the “nice” English girl. She implies to Elyot that she will tailor life to suit his whims.

Victor Prynne

Victor Prynne, a handsome man a few years older than Elyot. Stuffy and stodgy, he lacks a sense of humor. Like Sibyl, he is shocked by the elopement of Elyot and Amanda; when he and Sibyl catch up with the other couple, he chivalrously offers to divorce Amanda even though he deeply loves her. He wants to make over someone’s life and takes it upon himself to do so for his new wife. This drives her back into the arms of Elyot. Sibyl is his true soul mate, and their fierce quarreling at the end of the play, mirroring the battles between Amanda and Elyot, indicates that the conventional Victor will end up paired with her.

Louise

Louise, Amanda’s French-speaking maid. She makes a brief appearance in the third act. Her inability to speak English and her incomprehension of the bizarre occurrences in the apartment provide a number of laughs.

Characters

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Elyot Chase
Elyot Chase, the sharp-witted and cynical male lead, is central to the love/hate dynamic with Amanda in Private Lives. While his profession remains a mystery, he is affluent, stylish, and accustomed to a life of luxury and self-indulgence. Elyot's conversations are marked by a tendency to be "flippant" and to mock societal norms. His philosophy, if any, is a steadfast refusal to take life seriously, challenging "all the futile moralists who try to make life unbearable." He subscribes to no universal truths, viewing everything as "nonsense" in the grand scheme. Nothing is eternal, and the wise approach is to live in the moment, enjoying life's pleasures while being "superficial and pitying the poor philosophers" who seek deeper meanings and moral truths.

Despite his articulate defiance, Elyot harbors insecurities and is not entirely unaffected by societal expectations. At the play's start, he has willingly entered into a conventional marriage, even though it seems doomed and unfulfilling. Before reuniting with Amanda, he is resigned to playing the shallow role of a husband. When confronted by Victor in Act III, Elyot does not defend his actions, instead admitting he is entirely in the wrong and that his flippancy masks "a very real embarrassment." Although aware of society's hypocrisies, Elyot is not immune to its pressures—nor to his attraction to Amanda, despite the turbulent history and intense jealousies in their relationship.

Sibyl Chase
Sibyl, Elyot's second wife, is seven years his junior. Although she is the newlywed "Mrs. Chase," she soon finds herself aligned with Victor Prynne due to their shared predicament....

(This entire section contains 750 words.)

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From the end of the first Act, she and Victor form a kind of "couple," traveling together in search of their wandering spouses. This pairing serves as a counterbalance to the central duo of Elyot and Amanda. While Sibyl and Victor are the "wronged parties," they are designed to elicit little sympathy from the audience. Coward portrays them in stark contrast to the passionate and witty main couple.

Compared to Amanda, Sibyl is shallow, inexperienced, and lacks introspection. She dutifully conforms to her social roles with an exaggerated and false femininity. As the blushing bride, she is bubbly and romantic, deferring to her husband and claiming no desire to "manage" his life. As the abandoned wife, she succumbs to dramatic tears and self-pity, yet demonstrates an ability to "manage" both Victor and Elyot to achieve her aims. Coward leaves her character relatively undeveloped; like Victor, she serves as a superficial foil to the sophisticated protagonists, Elyot and Amanda.

Louise
Louise is the maid at Amanda's Paris apartment, a minor character who appears briefly in Act III, primarily to serve breakfast to the four main characters.

Amanda Prynne
As Coward's heroine, Amanda exudes wit and glamour, combined with a strong will and fervent passion. By leaving Victor and being sexually active while unmarried, she challenges the traditional, reserved, and subordinate role typically assigned to women—particularly in the early 20th century. Despite the constant bickering in her relationship with Elyot, it presents a more balanced and genuine partnership compared to her relationship with the stodgy Victor. Amanda and Elyot are intellectual equals and enjoy each other's company, at least during the intervals between their intense arguments.

Amanda and Elyot may ridicule aristocratic formalities, but she understands the value of social conventions in mitigating conflicts. While Elyot's philosophy is to "be flippant," Amanda's is to "behave exquisitely." Both strategies aim to mask the discomfort of facing the repercussions of their actions and to distance themselves from the harsh truths of their tumultuous relationship.

Victor Prynne
Victor is firmly conventional and overtly masculine, serving as a conservative foil to Elyot's rebellious nonchalance. He is consistently "serious," proper, and moderate, adopting a paternalistic attitude towards Amanda. However, his dignified demeanor seems to hide a bland and passionless personality. When he confronts Elyot in Act III, he adopts a belligerent stance, but Elyot dismisses his threats, calling him "all fuss and fume, one of these cotton-wool Englishmen." Despite Elyot's own shortcomings, he scorns Victor, saying, "[I]f you had a spark of manliness in you, you'd have shot me." In his defense of his and Sibyl's "honor," Victor becomes a caricature of chivalry, which crumbles under Elyot's sharp rebuttals. Though his violent tendencies are easily neutralized by Elyot's clever arguments, Victor is not above striking the woman he claims to protect when angered. Like Sibyl, Victor remains an underdeveloped character, a dull stereotype that serves to accentuate the brilliance of the unconventional protagonists.

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