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What does Richards argue is the chief role of the artist in Chapter 8?
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In Chapter 8, what does Richards identify as the most valuable states of mind?
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What does Richards dismiss in Chapter 9 regarding the function of poetry?
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In Chapter 9, which two terms does Richards consider crude and insufficient in appraising art?
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In Chapter 10, what does Richards argue is not severed from real life?
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What does Richards use to explain the development from infancy to adulthood in Chapter 7?
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In Chapter 9, which author's views on art does Richards critique?
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According to Richards in Chapter 9, what must one not conflate with the satisfaction of an impulse?
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In Chapter 10, what does Richards argue against regarding the doctrine of 'poetry for poetry's sake'?
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According to Richards in Chapter 6 of 'Principles of Literary Criticism,' what does he advocate for in the investigation of value?