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What does Richards believe impedes serious investigations into the value of art in Chapter 2?
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According to Richards in Chapter 1, what has experimental aesthetics proven useful for?
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What distinction does Richards propose in Chapter 3 regarding remarks about art?
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What does Richards say about the artist's concern with communication in Chapter 4?
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What does Richards argue about the aesthetic experience in Chapter 2?
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What does Richards argue about the artist's unconscious motives in Chapter 4?
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What does Richards criticize about the work of literary scholars like Aristotle and Coleridge in Chapter 1?
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What does Richards claim is essential to the question of art's value in Chapter 5?
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What is the 'phantom problem of the aesthetic mode or aesthetic state' according to Richards?
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What does Richards believe a general theory of value must address in Chapter 5?