Summary
AUTHOR: Vaughan, Brian K.
ARTIST: Niko Henrichon (illustrator); Todd Klein (letterer)
PUBLISHER: DC Comics
FIRST BOOK PUBLICATION: 2006
Pride of Baghdad is a profound graphic novel that combines vivid storytelling with thought-provoking social commentary. Authored by Brian K. Vaughan and illustrated by Niko Henrichon, it tells the poignant tale of four lions escaping from the Baghdad Zoo amidst the chaos of war. The narrative cleverly intertwines themes of freedom, survival, and the repercussions of conflict.
Publication History
Debuting as a hardcover in 2006 under DC Comics’ Vertigo imprint, Pride of Baghdad marked Vaughan’s first standalone graphic novel. Known for blending thrilling adventure with social insights in works like Runaways, Y: The Last Man, and Ex Machina, Vaughan took on a new challenge with this narrative. He wished to explore his ambivalence regarding the Iraq War, inspired by a news story about four lions that gained temporary freedom from the Baghdad Zoo during Operation Iraqi Freedom. As Vaughan recalled, "Everything just kind of fell into place."
Niko Henrichon, recognized for his expressive animal illustrations in Barnum! In Secret Service to the USA, was seen as the ideal artistic partner for this project. Henrichon, with his extensive experience at Marvel and DC, undertook the painstaking process of illustrating, inking, and painting over a year. Vaughan lauded his editors for backing the project during a time when dissent about the war was often unwelcome, expressing that Pride of Baghdad remains a pinnacle of his career.
Plot
The narrative unfolds with a bird's frantic warning, "the sky is falling," as Zill, the pride's leader, observes American bombers approaching. The onslaught demolishes the zoo's fortifications, releasing a host of animals into an unfamiliar and chaotic world. Amid the aftermath, the lions initially mistake their newfound freedom for death but soon realize the stark reality outside their former enclosures.
Venturing beyond the zoo, they confront the devastation of war, witnessing a giraffe struck down mid-celebration of freedom. Amidst fleeing tanks, the lions meet a turtle mourning its family, who enlightens them about the human conflict over "poison"—oil. The turtle shares a legend of a Babylonian statue that symbolizes invincibility as long as it stands.
The pride navigates through the city's desolation, encountering wild horses and taking refuge in a dilapidated palace. There, they meet Rashid, a declawed, injured lion, and Fajer, a violent bear. A fierce battle ensues, culminating with Noor's cub, Ali, inciting a stampede that defeats the bear, offering a brief respite for the pride.
In a fleeting moment of peace, the lions climb a ruinous mound to behold a stunning sunset. However, their tranquility is shattered by gunfire, as Zill is struck down. The others attempt to flee but are ultimately gunned down. The narrative closes with a haunting scene of a blackbird perched on a lion statue, underscoring the fall of both the pride and Baghdad.
Characters
• Zill: The pride's seasoned leader, Zill cherishes memories of the wild and prioritizes his pride's welfare over personal freedom. He is the first to explore the world beyond the zoo when the opportunity arises.
• Safa: As the oldest female and Zill's former mate, Safa carries scars from past trauma, viewing captivity as a shelter against the harshness of the wild. Her reluctance to leave the zoo reflects her preference for security.
• Ali: A young, enthusiastic cub, Ali is excited to explore Baghdad's urban wilderness, embodying hope and vitality within the group.
• Noor : Ali's protective mother and Zill's current mate, Noor is a skilled hunter determined to secure a better life for her cub,...
(This entire section contains 1101 words.)
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though her escape plans meet resistance from other animals.
• Antelope: The antelope leader collaborates with Noor in a thwarted escape attempt.
• Bukk: A brutal lion from Safa's past, emblematic of the wild's savagery.
• Turtle: An ancient creature symbolizing loss, it shares historical tales and the cost of conflict.
• Rashid: A pampered lion from the palace, scarred by domestication.
• Fajer: A deranged bear, once domesticated, now ruling over the ruined palace.
Artistic Style
Henrichon’s artwork in Pride of Baghdad manages to capture both the majesty and the humanity of its animal characters. Comparisons to Disney's The Lion King are inevitable, yet the comic's detailed shading and strong lines offer a realism that distinguishes it from animation. Zill’s penetrating gaze on the cover, peering through concrete debris, symbolizes the animals' potent emotional depth.
Humans in the story are faceless entities, reinforcing the lions' humanized roles and their emotional depth. Henrichon's use of a color palette dominated by reds, yellows, and browns evokes the scorched landscapes of Iraq and the African savannas, with occasional bursts of green and blue highlighting the world's remaining beauty. The narrative relies heavily on visual storytelling, with sparse dialogue and carefully placed sound effects enhancing critical moments.
Themes
At its core, Pride of Baghdad explores the themes of war and freedom. War serves as a backdrop that threatens the lions' survival while questioning its impact on both animals and humans alike. The turtle's poignant loss symbolizes the broader suffering experienced by Iraqis, and the narrative suggests that, despite their predatory nature, the lions choose compassion over instinct.
The lions' struggle with freedom questions whether it can truly be given or must be earned. Safa’s yearning for the safety of captivity highlights the debate over zoos as sanctuaries versus natural freedom. The pride's tragic journey underscores the devastating costs of war and challenges readers to reflect on freedom's true value.
Impact
Pride of Baghdad received acclaim from comic critics and ventured into mainstream discourse. Its portrayal of anthropomorphic animals echoes literary classics like Orwell’s Animal Farm and Spiegelman’s Maus, while offering a nuanced narrative that defies simple allegory. The novel's limited dialogue, striking imagery, and complex themes make it an essential read in educational settings, recommended by the Young Adult Library Services Association as a top graphic novel for teens.
The novel's impact extended beyond literature, earning its creators a book signing at the Arab American National Museum, celebrating its unique cultural perspective.
Further Reading
- Grant Morrison's We3 (2004)
- Jeff Smith's Bone (1991-2004)
- Art Spiegelman's Maus: A Survivor’s Tale (1986)
Bibliography
- Leong, Tim. Interview with Brian K. Vaughan. Comic Foundry, July 6, 2006. [Available online](http://comicfoundry.com/?p=1522).
- Mangum, Teresa, and K. Corey Creekmur. “A Graphic Novel Depicting War as an Interspecies Event: Pride of Baghdad.” Society and Animals 15, no. 4 (2007): 405-408.
- Richards, Dave. “Joy of the Pride: Vaughan Talks Pride of Baghdad.” Comic Book Resources, September 11, 2006. [Available online](http://www.comicbookresources.com/?page=article&id=8051)
Pride of Baghdad: Inspired by a True StoryCritical Survey of Graphic Novels: Independents & Underground Classics Bart H. Beaty Stephen Weiner 2012 Salem Press