Pride and Prejudice Criticism
- Introduction
- Principal Works
-
Essays
- The Plot of Pride and Prejudice
- Pride and Prejudice and the Patrician Hero
- Pride and Prejudice: Power, Fantasy, and Subversion in Jane Austen
- The Picturesque in Pride and Prejudice
- The Art of Reading in Pride and Prejudice
- Reversal in Pride and Prejudice
- Characterization and Comment in Pride and Prejudice: Free Indirect Discourse and ‘Double-voiced’ Verbs of Speaking, Thinking, and Feeling
- ‘A Contrariety of Emotion’: Jane Austen's Ambivalent Lovers in Pride and Prejudice
- Jane Austen: Irony and Authority
- The Polemics of Incomprehension: Mother and Daughter in Pride and Prejudice
- Delicacy and Disgust, Mourning and Melancholia, Privilege and Perversity: Pride and Prejudice
- Shame, Pride, and Prejudice: Jane Austen's Psychological Sophistication
- Card-playing and the Marriage Gamble in Pride and Prejudice
- The ‘Social History’ of Pride and Prejudice.
- Pride, Politics, and Prejudice
- Pride and Prejudice: A Cognitive Analysis
- ‘A Nobler Fall of Ground’: Nation and Narration in Pride and Prejudice.
- We Must Forget It: The Unhappy Truth in Pride and Prejudice
- Famous Last Words: Elizabeth Bennet Protests Too Much
- Further Reading